Category: Comics
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Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) The strip opens with Ebony and a lodge brother in Wildwood Cemetery looking for the Spirit. They find him, appearing out of smoke, and request his assistance–their lodge building seems to be haunted, can Spirit investigate? After some whinging, the Spirit agrees. The…
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Jim Shooter 1, Cary Bates 2 (script) Mike Grell (artist) Ben Oda 1, Joe Letterese 2 (letters) Murray Boltinoff (editor) The first story, from Jim Shooter and Mike Grell, opens with Princess Projectra’s shuttle crashing as she attempts to land at Legion headquarters. Timber Wolf is there to save the day, complaining about “women drivers”…
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Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Zoltan Szenics (letters) The first panel sets up everything in the strip (save formal cast additions)—mobster Grogan on trial for murder, defended by “The Black Queen,” his lawyer, and a side item about the school district running out of money for lunches. Grogan gets off (with…
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Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Zoltan Szenics (letters) The strip opens with Spirit dropping into Ebony’s cab. Literally, from a tree. Spirit then pulls a gun on Ebony, demanding a ride to town, while the passengers—Homer Creap and Ellen Dolan—sit terrified. Ellen’s in town to visit her dad, the regular cast…
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Cary Bates (script) Mike Grell (artist) Ben Oda (letters) Murray Boltinoff (editor) What a strange comic book. Cary Bates and Mike Grell contribute both parts, feature and backup, though “feature” is a bit of a stretch. The lead story is a retcon. In the farther-flung future than the Legion of Superheroes, future Earthlings are obsessed…
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Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Zoltan Szenics (letters) The Spirit ends his first adventure leaving three burning questions unanswered. First, why is he remaining officially dead—we’ll loop back—second, why doesn’t he think everyone will recognize his blue suit, and, third, how does he have those little tombstone calling cards carved already.…
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Today, a full month later than I’d hoped but a couple weeks before I feared, I’m dropping The Comix Section #1, an e-zine of comic book criticism. If you have a good color printer, lots of ink, legal-sized paper, and a powerful stapler, it can also be a paper zine. It was meant to be…
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Monkey Face—sorry, Monkey Prince—sort of transcends this issue. The comic’s set over forty-five minutes to an hour, but isn’t a waste of decompression. Instead, Marcus the Monkey Prince has a very full after-school calendar. He gets some more training from the custodian, Mr. Zhu, who’s actually a mystical being (Shifu Pigsy), but most of his…
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I only have the vaguest memories of my previous Tomb of Dracula read through, but when Harold H. Harold appears this issue… I remembered he was going to be obnoxious beyond compare. In not disappointing my expectations, writer Marv Wolfman succeeds in disappointing my everlasting soul. The issue opens with Dracula in Boston, messing around…
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Sometimes the snow comes down in June, and all that business because out of nowhere… Archangel is really good. It’s not the best of writer Garth Ennis’s War Story: Volume Two, which is only not a joke award because of that David Lloyd story, but Archangel definitely makes up for the previous couple entries. Now,…
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It’s a lackluster but not bad Werewolf by Night, which is one hell of a compliment, but what else are you going to do with this book. Writer Doug Moench finally resolves the mysterious Committee out to get Jack Russell since the first issue. Or at least by the third issue. They hired Moon Knight…
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Despite The Terminator not offering much (if anything) in the way of entertainment, much less artistry, I’m still intrigued by the series. Like, where’s the bottom? This issue has a guest penciler, Robin Ator, who’s probably the series worst (so far). The script’s from Jack Herman, who’s written more issues than anyone else at this…
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Ah, the days when the first part of an arc was really the first part of an arc. This issue opens with Selina—as Catwoman—chasing a kid through the streets of Gotham. He’s in Alleytown, a frankly gorgeous but rundown and dangerous neighborhood in Gotham. Artist Cameron Stewart busts ass on the scenery, so much so…
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It’s a good but unfortunate issue of Black Panther. Writer Priest is firing on all cylinders, while the art is a Many Hands mishmash of styles—the issue credits Jimmy Palmiotti and Vince Evans (washes for Evans). But there’s also additional help from Alitha Martinez and Nelson DeCastro. So the art never looks consistent for more…
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The cover promises the Fatal Five’s return; while they do return, there’s also a mystery villain who starts the issue. He flies off towards Earth in his mystery ship; a ship crash lands on Earth, and the Fatal Five emerge from the ship, attacking Mon-El and Shadow Lass (who ditch Princess Projectra to get busy…
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Creator Daniel Warren Johnson’s art on this last issue of Do a Powerbomb is fantastic, some of the best action art. In the series and beyond. Johnson really ups the ante with the final wrestling match, which has newly reunited (sort of) father and daughter wrestling team Cobrasun and Lona fighting God. God’s a big…
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Side Effects feels like a series of public service announcements strung together. It doesn’t feel like mandatory public service announcements, which is something, but earnest only gets you so far. In the case of Side Effects, there’s nothing past so far. It’s a competent graphic novel about college freshman Hannah experiencing a mental health crisis…
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This issue’s a wonderful showcase for how seemingly nothing can go right for Tomb of Dracula, but thanks to the creators—even as writer Marv Wolfman crafts a silly tale, he’s still got the right artists with Gene Colan and Tom Palmer to give the issue a pulse. The cover promises Dracula’s coming to the United…
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Wait, is Batman just supposed to be a bad dad? Did DC really not think giving him a kid through? Or does Monkey Prince writer Gene Luen Yang just get to flash his bonafides and characterize Batman as a complete dipshit? In addition to Batman attempting to gaslight and emotionally manipulate Robin (who’s now his…
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After Condors, I’m even more decided on the idea—Garth Ennis wanted to write a play. I’m not sure if he wanted to be a playwright or just write a play, but Condors is a play. The entire comic takes place in a bomb crater with four different soldiers fighting in the Spanish Civil War. Only…
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When I was a kid, this issue of Werewolf by Night was the most expensive because it featured the first appearance of “The Moon Knight,” a comic book weirdo. Werewolf proper hasn’t done any superhero crossovers, so Moon Knight could just be a seventies cosplayer. He’s not—he’s Marc Spector, mercenary, hired by The Committee to…
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Truth be told, I have a hard time motivating myself with The Terminator. It’s not bad in peculiar ways related to the licensed property, and it doesn’t have some undiscovered talent doing fantastic work on it. But it’s had its moments. It’s also had irregular writers, with the original writer (and copyright holder on new…
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Presumably, regular writer Ed Brubaker needed someone to cover for him so he could work on Catwoman Secret Files, so Steven Grant fills in on the writing here–Brad Rader’s on pencils, with new-to-the-series Mark Lipka and Dan Davis on inks. It’s an outstanding issue for Rader. The issue’s entirely action, with Catwoman breaking into a…
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The issue begins with an Everett K. Ross scene; he’s debriefing the President about his latest adventure with Black Panther, only to quickly offend and have to roller-blade his way out of there. Writer Priest knows how to play Ross for comedy—I guess they couldn’t do the whitest white boy in the world in the…
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I’ve always had a soft spot for Steve Ditko’s art. Even thirty-ish years ago, when I was starting to recognize creators in Silver Age books—hunting down older comics to read—Ditko was already a reclusive, right-wing crank. No doubt complaining about wokeness since 1985. History’s just proven his being quiet about it was the only difference…
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For the first time on Powerbomb, there’s cause for concern. I’m not actually concerned because I’ve got faith in creator Daniel Warren Johnson—he’s more than earned it by this point—but this issue’s at the “shit or get off the pot” moment in the series, and Johnson’s approach is to ask for five more minutes. The…
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Besides the cover art having very little to do with the issue content—the cover shows Brother Voodoo fighting zombies; more on that adventure in a bit—this issue is an exemplar Tomb of Dracula. Writer Marv Wolfman has time to go overboard with the narration and exposition while still fitting a full horror comic story into…
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I’m not up on modern Batman takes, but… has everyone just agreed he’s a dick? Monkey Prince starts with a Batman cameo, then brings him (and Robin) into it for the cliffhanger. In addition to him being a dick, does every new book have a Batman cameo for the sales? Though Batman’s only on one…

