blogging by Andrew Wickliffe

Barbarella (2017) #4


Barbarella #4 is a done-in-one and the best issue of the book so far. Like, wow, best issue. Carey runs a very tight narrative–Barbarella (and Vix, her fox who repeats words but isn’t sentient, unfortuantely) is traveling as a passenger on a “planet moving” ship. Not many other passengers, just a sexy blue empath dude who can projection feelings as well as read them. So they go to bed.

Unfortunately, the planets (there are five the ship’s dragging) start shaking and it means trouble.

In a normal book, here’d be your cliffhanger. Carey and new artist Jorge Fornés don’t stop there. They don’t even stop at the big reveal. They go all the way until the end of the trip. I kept waiting for it to cut off and it never does. It just keeps getting better and better.

Carey’s keeping some distance on Barbarella’s character development. The narrative follows her around as she encounters these aliens and those aliens and this adventure or that one and it’s always from her outward perspective. At least in this issue.

But there’s character development work going on. Carey’s writing on this book is real strong.

And Fornés art is great. His style is different than what the book had before. He’s got nice thick (digital) lines. Realism, but still personality. Especially during the action scenes.

So Barbarella. It’s still good, possibly now awesome. Fingers crossed Carey’s got enough ideas.

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