Not only is Eddie’s baby brother back, this story arc of The Damned has the same title as the lackluster second series–Prodigal Sons.
Except now it’s great. Because Bunn’s learned how to do his exposition. He’s learned how to pace it, he’s learned what Hurtt does best and how to enable the best possible result. Damned has this easy visual flow, even when it’s disturbing subject matter; there’s only so much danger for protagonist Eddie, but there’s always only so much sympathy for him.
Damned is often fairly bright for noir, yet Bunn’s able to keep that distance from Eddie. The reader’s only so invested in Eddie as protagonist. There are a lot of forces moving around him–demons in this issue–who control things far more than he does. Or can even imagine. Eddie’s not a narrator but his unreliability extends to the reader… it’s impossible to get too worked up about him.
That being said, it’s easy to get worked up about the poor saps Eddie brings into his life, like his palooka brother. The brother, a giant boxer longshoreman type, is played sweet and innocent. He can handle himself in a fight against demons, but he’s a nice guy. Nothing like Eddie. So part of Damned is hoping Eddie isn’t screwing over the people you like.
And knowing there’s little chance he isn’t.
It’s such a good book. And Hurtt’s art is spectacular.