It’s an intense issue. Cates has a nice way of foreshadowing–Redneck, with one exception, is basically a one-set play here, and Cates positions characters throughout the set and the present action in sublime ways. Estherren stumbles a few times. He doesn’t do well with the arguing scenes, like he’s getting bored of the talking heads, but it’s mostly good art. Cates handles reveals nicely too.
CREDITS
Writer, Donny Cates; artist, Lisandro Estherren; colorist, Dee Cunniffe; letterer, Joe Sabino; editors, Arielle Basich and Jon Moisan; publisher, Image Comics.
The Stop Button 
Leave a Reply