It’s like Russell wanted to bite off more than he should be able to chew–Trump, the patriarchy, capitalism–and prove he could do it. And he does. He handles three big plot threads, with the patriachial thread tying into everything else–including Fred’s self-discovery and Wilma’s reunion with her mother. Great Pugh art, some rather funny moments. It’s a fantastic comic.
The Flintstones (2016) #8

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