The very BEST Alan Moore ending in his entire body of work. – Guillermo del Toro, filmmaker
The Killing Joke is a story about Batman and the Joker; it isn’t about anything that you’re ever going to encounter in real life, because Batman and the Joker are not like any human beings that have ever lived. So there’s no important human information being imparted … Yeah, it was something that I thought was clumsy, misjudged and had no real human importance. It was just about a couple of licensed DC characters that didn’t really relate to the real world in any way. – Alan Moore, the original writer, The Killing Joke
Wanna say that again, pussy? – Brian Azzarello, screenwriter, Batman: The Killing Joke
Out of nowhere–well, the questionably sincere loins of 2016 DC Animation–comes Batman: The Killing Joke, the animated adaptation of Alan Moore and Brian Bolland’s seminal 1988 comic book one-shot, starring Tara Strong as Batgirl, Kevin Conroy as Batman and Mark Hamill in his much-anticipated return as The Joker. Matthew Hurwitz and I thought it might be nice to sit down and hash over the film, much like we did for Batman: The Dark Knight Returns. Little did we know Killing Joke wouldn’t just turn out to be terrible, it would find astoundingly terrible ways to be terrible.
So join us now, as we gaze long into Batman: The Killing Joke and peel back each layer of superhero comics, animation and movie history that lead from the original book to a movie that did virtually everything wrong. Yeah, you knew we were the only ones up to the task. While everyone else is ranting about the instantly-infamous Batman / Batgirl hookup sex scene, only The Comics Fondle Podcast gives equal time to discussing the idiocy of this version having The Joker use circus freaks as a gang of deadly goons.
(We do actually get to discuss some good things, like “Batman: The Animated Series” and some comics. It’s not all doom and gloom. There’s whimsy)