The Spire continues to go quite well. Some of Stokely’s art seems a little loose–the setting has a lot of design elements and Stokely takes great care with them. Then he’ll rush through a dialogue scene when it comes to the characters’ faces. The panel sizing is great, the composition is great, it’s just loose with the people.
Well, it’s loose after the issue gets to the protagonist. Before her, the issue follows the new ruler of the Spire’s mother. Not sure if Spurrier is hoping to get Helen Mirren but it’d be pretty cool. The relationship between the protagonist and the “queen mother” is fantastic. Lots of discrete character development.
Spurrier and Stokely have found an odd, working mix with The Spire. It’s steampunk, but organic, Western, but sci-fi, a detective story, but political intrigue. Spurrier never pushes the exposition; it’s all naturally revealed.
It’s darned good.