Carmine Infantino on Howard the Duck. It works out rather well. He’s got Frank Giacoia on inks. They have fun. It helps the story is fun too–these people who run into Howard go to the same psychiatrist, which wraps the flashbacks. Howard’s story has him breaking in to an army base. The army is experimenting on the populace.
With the Infantino pencils and Mary Skrenes’s over-the-top dialogue for all the squares, this issue of Howard doesn’t feel like Gerber’s usual work on the comic (he edits the issue) but it’s not bad.
It’s sort of one note and predictable and a little too cute, both in terms of plot coincidences and Howard and Bev (it’s out of continuity apparently). It’s Howard the Duck with artificial sweetener. All the anti-establishment stuff is there in exposition, but not in the storytelling.
But it could be much, much worse.