blogging by Andrew Wickliffe

Lazarus (2013) #14

Lazarus  14

Rucka deals with some really big issues in the front half of the issue–like finally making it clear where Forever comes from (or at least where her brother says she comes from), not to mention the resolution to the kidnapped brother arc.

The second half of the issue has a little psychological fallout and then the big political fallout from the first half. Unfortunately, Rucka overplays the political fallout. It’s interesting stuff, but it’s not dramatic. Lark can do talking heads. Instead of doing talking heads, though, Rucka has him do… listening heads. It’s just not dramatic, it’s hard to keep interest.

And then the cliffhanger, which could have been really dramatic, is quizzical. Rucka assumes readers are rather familiar with the supporting cast without giving them any reminders. It’s written for the trade–not in terms of not enough action, but that familiarity.

But the first half’s awesome.

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