Somehow, Williamson can turn an exciting cliffhanger resolution into a boring comic. I mean, it’s interesting. Even if Henderson doesn’t get as much good to draw as usual because there’s the cliffhanger resolution and then another scene in the same location. Then it’s a bunch of interiors–the sheriff’s house, where Williamson works on his B plot involving the local preacher, and the school bus, the issue’s ostensible A plot.

That A plot is just to get Williamson to another big cliffhanger, presumably one he’ll resolve quickly next issue and not just not offer any resolution but also use to get hostile about the idea of the reader connecting with the comic.

Nailbiter is far too removed from itself; Williamson doesn’t want to focus on his main characters because he’s bored with them. Everyone else is far more interesting. Hopefully, he’ll be able to refocus the comic on something engaging.