Williamson and Henderson deliver a lot more in the mood of the issue than anything else. Between Williamson’s eerie town history and Henderson’s eerier art, Nailbiter succeeds in creating a wondrous setting. It also ends up hurting the reading experience because Williamson’s writing often feels like it doesn’t take full advantage of that setting.
This issue has a bunch of subplots brewing. The sheriff has trouble on a couple fronts, the titular serial killer is under more scrutiny than usual, and then the FBI guy is doing his investigating thing. And that investigating thing leads to a very unlikely stand-off with a civilian.
But Nailbiter often isn’t about being reasonable. It’s about well-written characters and good art. This issue delivers some of the former and a lot of the latter. Williamson just can’t hide he’s doing a bridging issue and spinning his wheels for time.
It’s mostly fine.