Writer Mindy Newell gives Lois Lane a serious story to cover–a murdered child–which sends her into an obsessive panic. Newell shows not just Lois’s investigative work, but also how the pursuit affects her and those around her.
The Gray Morrow art is elegant and disturbing. It’s a perfect combination; he’s able to handle the talking heads parts and the more emphatic, quiet parts. Newell and Morrow push on the informative angle, but they compensate it with the rest.
Newell explores how disturbed Lois becomes, how single-minded. There are some plot contrivances–problems at work, Lucy in town–but Newell still just uses them to emphasize Lois’s irrationality and drive.
The comic’s also got a great domestic scene with Clark and Lana. Newell’s very deliberate when it comes to the characters, particularly in their thought balloons.
The comic is awkwardly paced, but Newell and Morrow execute it successfully.