There’s some fantastic art from Colan and Smith this issue. Moench’s still got his weird relationship between Jason and Nocturna, but Colan sure does draw it well. When Batman finally shows up–after discovering Nocturna is a crime boss–and Moench’s script has him inexplicably drawn to her… the art is what sells the scene.
The Nocturna art is just gravy. The best part of the issue is Bullock’s theory about Robin being Nocturna’s son–not Jason Todd, but some other kid. He’s ranting and raving and Colan and Smith draw the whole thing with an Eisner bent. It’s just fantastic; full of energy.
Batman and Robin, however, don’t show up much. Robin’s just there for the setup, Batman’s just there for the finish. Nice Batman fight scene though.
The Green Arrow backup is lame; Cavalieri resolves a lengthy subplot and it’s boring. Nice art from Moore and Patterson though.