Guera’s art changes a little once again. It’s more crime art now, a lot less mystical. It’s good and it fits where Aaron’s taking the story–Lincoln going to war, Dash going nuts at the stress. There’s one weak panel with Nitz.
Let’s talk about Nitz. Aaron has Dash as a pawn between Lincoln and Nitz. Lincoln is an amazing character, easily the best thing about Scalped and probably the best thing Aaron will ever do as a writer. Nitz is a disposable racist psychopath. It’s not a worthy setup. And Aaron seems to know it–why else would the disposable Hmong get propped up in stature?
Catcher and Dash have a scene where Aaron tries to foreshadow Dash’s redemption. Unfortunately, it comes off a little more like the origin of Eagle-Man.
Falls Down has a little scene. He’s still Aaron’s second best creation.
Warts and all, excellent stuff.
CREDITS
The Gnawing, Part One of Five; writer, Jason Aaron; artist, R.M. Guera; colorist, Giulia Brusco; letterer, Steve Wands; editors, Mark Doyle and Will Dennis; publisher, Vertigo.
The Stop Button 
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