The cover, with Daredevil looking at an out-of-frame Hulk, is probably the best thing about this comic. Bruce Banner’s in New York and Matt’s the only one who can help him. Sadly, there’s no help for the creative team. Between McKenzie’s lame script, which gives the Hulk origin in expository thought balloons at least twice, and the tepid art, this issue’s a drag.
Miller’s got Joe Rubinstein assisting Janson on the inks, but one can’t blame the inkers here. Miller doesn’t know how to draw the Hulk. The body and musculature is all off. Worse is the city. After all his careful New York art, Miller turns in a generic cityscape for the big fight with Daredevil.
The best thing in the issue is Banner hulking out in the subway, but only because of the potential. McKenzie and company fail to realize it.
The issue is depressingly lame.
The Stop Button 
Leave a Reply