The only particular thing in this issue is someone writing an Apes comic finally got around to an orangutan called King Louie. Otherwise, the issue’s pretty drab.
Marshall does a Western with apes and it’s impossible not to compare it to Doug Moench’s work back on the Marvel series. Only, Marshall just does a Western. It doesn’t have anything to do with Planet of the Apes. After the King Louie reference, none of it needs apes.
Still, Wyman and Pallot’s less detailed art style fits a Western atmosphere better—there’s scenery they can’t get away with ignoring—and the story’s not terrible. If it were just a Western, it’d probably be better, because I had an expectation Marshall was going to make it somehow important these were apes not humans.
But he doesn’t.
The issue, which is clearly meant to be seen as a creative experiment, isn’t creative at all.
The Stop Button 
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