I bought Predator ought of nostalgia. I grew up in the salad days of Dark Horse’s licensed property boom, back when there was only one Aliens vs. Predator series and it was a big deal. Returning to Predator, especially this series–updated to be hip and modern–it’s about mercenaries in Africa. They say Africa, it’s an African state, but all of the procedural aspects are lifted from movies about Iraq. But whatever, I’m trying to keep an open mind.
Except Arcudi’s handling of it is, in terms of plot, awful. The main characters are a bunch of mercenaries–these are the villains, they’re the Blackwater guys–and the Predators–there are a bunch of them, even though it’s just called Predator–are kind of cameoing.
Along with Aliens, Dark Horse is making a big deal about them, but doesn’t have a narrative approach to indicate they’re anything but trivial.
Writer, John Arcudi; artist, Javier Saltares; colorists, Wes Dzioba and Andrew Elder; letterer, Blambot!; editor, Samantha Robertson and Chris Warner; publisher, Dark Horse Comics.