Crying Out Love, in the Center of the World (2004, Yukisada Isao)

Boy meets girl, boy woos girl, boy gets girl, girl gets sick.

Crying Out Love has a frame too: boy never gets over it and still hasn’t, twenty years later, when he’s engaged to be married. The engagement actually doesn’t set off the story, some of the silly plot contrivances do, but it doesn’t really matter. Crying Out Love succeeds where most films of its sort fail–it creates a good teenage love story. It does it small and it does it with good acting. The kid in it, whose name you can find on IMDb if you care (he hasn’t been in anything else), is fantastic, so’s the girl. Even the acting in the modern day is good, it’s just that the character never worked himself out, so it’s sort of unbelievable that anyone would want to marry him. It’s adapted from a romance novel and I’ll bet the fiancée has a limp in it too–but I bet she isn’t supposed to be so good-looking.

Of course, the film falls apart once the girl gets sick, mostly because it’s no longer from the kid’s perspective. The perspective just loafs around after that point and there’s something at the very end that’s bad, but I don’t even remember what now and I just finished watching it five or six minutes ago. It’s also incredibly predictable.

The director is a complete champ, however, and that alone would make the film worth watching. But, it’s got the good acting to top it off.

Scream (1996, Wes Craven), the director’s cut

Poor Matthew Lillard, he was already looking way too old to be a teenager in this one (he was twenty-six). I probably haven’t seen Scream since 2000 or so, sometime before the third one came out. Maybe even further back than that. What I’m trying to say is… I’d actually forgotten how bad Skeet Ulrich is. He’s incredible.

I haven’t been able to see Scream since laserdisc, because there’s an unrated cut that Disney refuses to release stateside. There’s some extra gore and a Freddy Krueger cameo–which is in bad taste if you think about it–nothing to really “enhance” the experience. Still, Nicheflix got the Japanese disc so I rented it (when I was a kid, I had a similar problem with Aliens–my dad had the director’s cut on laser, and I had the theatrical cut VHS, these problems only got worse once I understood letterboxing).

Scream‘s not bad. Wes Craven is a good director (though his cinematographer on Scream couldn’t stop lens distortion, which is kind of embarrassing, if you think about it). The performances run hot and cold. Lillard, for example, is good briefly, not when he’s being loud and obnoxious. He’s such a fantastic, sincere actor, but he never gets roles for anything but the loud prick. Jamie Kennedy–I’d forgotten I even knew who this guy was–is fairly obnoxious and shitty. Courteney Cox, David Arquette, even Rose McGowan, they’re all okay, nothing better. Henry Winkler cameos and is fantastic. The most troubling aspect of Scream isn’t the acting–not even Ulrich–but how indifferent its characters are to death around them. I hadn’t ever thought about it, but a comparison between Scream and O would probably be worthwhile. Scream puts no value on human life….

And no, I’m not going to make a comment about how awful Drew Barrymore was. I could, but I won’t.

Scream does have an important factor, however. One so important, I don’t think I can just dismiss the film. Neve Campbell is an unspeakably wonderful actor. I guess I’d forgotten or it hadn’t occurred to me that my memory of her ability was correct. She’s astoundingly good. I’ve just run through my Blockbuster Online queue and added all her films.

Wait… shit. I had something else. Neve Campbell’s great, Drew Barrymore sucks. Not another Skeet Ulrich joke–what was it….

Nope, I’ve lost it. Damn.

Oh. I remember. Never mind.