Fear in the Night shows just how far something can get on the gimmick. Bank teller DeForest Kelley wakes up one morning from the dream he killed someone. He then discovers evidence of his crime and, as he suspects he’s going mad, starts going a little mad.
If not totally mad, he does make some poor choices.
Luckily–or unluckily–Kelley’s brother-in-law (Paul Kelly) is a homicide detective.
Night doesn’t have good narration–though director Shane’s script does use it consistently–and Shane isn’t much of a director, but the film intrigues. The plotting is fantastic, with Shane withholding clues for so long I was wondering if he was ever even going to explain the mystery.
Shane handles the mystery in two parts. First, whether it’s real or not and then what–if it does turn out to be real–the consequences will be for the characters. Kelley’s also got a faithful girlfriend in Kay Scott and a concerned sister in Ann Doran. Shane gives Kelly a lot to do in terms of negotiating being a good husband and a homicide cop.
As a director, Shane’s mediocre at best but does have some creative visual flourishes.
Kelly is really good, even with some questionable dialogue, and he’s able to carry the film. Sometimes he has to carry Kelley through rough scenes; Kelley isn’t very good. He has a tough role but he also isn’t very good. He’s likable, however.
The whole thing is likable… but not very good.
Directed by Maxwell Shane; screenplay by Shane, based on a story by Cornell Woolrich; director of photography, Jack Greenhalgh; edited by Howard A. Smith; music by Rudy Schrager; produced by William H. Pine and William C. Thomas; released by Paramount Pictures.
Starring DeForest Kelley (Vince Grayson), Paul Kelly (Cliff Herlihy), Ann Doran (Lil Herlihy), Kay Scott (Betty Winters), Charles Victor (Captain Warner), Jeff York (Deputy Torrence) and Robert Emmett Keane (Harry Byrd).