Tag Archives: William D. Gordean

Teenage Mutant Ninja Turtles (1990, Steve Barron)

Teenage Mutant Ninja Turtles uses Central Park as an establishing shot for an apartment at 11th and Bleecker. I’ll let you Google Map that one.

The film’s worth talking about for four reasons—the amazing animatronics, the editing, the anti-Japanese sentiment and Judith Hoag. It’s also amusing to watch for Sam Rockwell sightings, but that one isn’t so much a discussion point.

For people who care about puppetry and animatronics, the work the Jim Henson workshop does in Turtles is phenomenal. They create five entirely believable creatures. It’s so effective, in fact, I’m glad Josh Pais both did the voice and the costume work for his character… so I can identify him as the film’s worst performance.

There are some terrible performances from the regular actors here, but Pais is atrocious. His characterization seems like a mix between James Cagney and George Jefferson. If Turtles weren’t a stupid movie with a bad script, he’d be the one ruining it.

Switching up the list a bit—Judith Hoag. While Elias Koteas (as her romantic interest) is okay, she’s great opposite all the costumes and animatronic nonsense. She makes the fantastical nature work… at least until her character disappears to give more attention to the lame fight scenes.

The great editing—in the fight scenes and not—makes Turtles mildly tolerable. The anti-Japanese sentiment is bewildering but captivating.

Awful performances from James Saito and Obata Toshirô—the only Japanese actors—don’t help.

Turtles is terrible. Hoag aside, there’s nothing “good.”

CREDITS

Directed by Steven Barron; screenplay by Todd W. Langen and Bobby Herbeck, based on a story by Herbeck and a comic book by Kevin Eastman and Peter Laird; director of photography, John Fenner; edited by William D. Gordean, Sally Menke and James R. Symons; music by John Du Prez; production designer, Roy Forge Smith; produced by David Chan, Kim Dawson and Simon Fields; released by New Line Cinema.

Starring David Forman & Brian Tochi (Leonardo), Michelan Sisti & Robbie Rist (Michelangelo), Leif Tilden & Corey Feldman (Donatello), Josh Pais (Raphael), Judith Hoag (April O’Neil), Elias Koteas (Casey Jones), Michael Turney (Danny Pennington), Kevin Clash (Splinter), James Saito (The Shredder), Obata Toshirô (Tatsu), Raymond Serra (Chief Sterns) and Jay Patterson (Charles Pennington).


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Dragnet (1987, Tom Mankiewicz)

Dragnet was a hit. I’m always shocked when good comedies are hits. Good comedies haven’t been hits since I’ve been able to legally buy cigarettes.

There are a couple things, right off, I don’t want to forget about. First is Tom Hanks. He’s such a good comedic actor, what he’s done since–the serious man bit–is nothing compared to what he does here in Dragnet. Tom Hanks, to reference another 1987 comedy, is at his best when wearing women’s lingerie.

The other thing is the script (which had three screenwriters, so it’s hard to compliment the right person)–but the script is brilliant. Dragnet‘s structure is impressed and the pacing is fantastic, but the film has these two characters–Dan Aykroyd and Alexandra Paul–who the audience is supposed to laugh at in almost every scene… but the audience also needs to root for them (and their romance–I mean, Ira Newborn’s got a great piece of music as a love theme–but rooting for the rubes’ romance should be a tall order but isn’t here).

Paul has a harder acting job, since Aykroyd is, after all, the hero.

The film’s nearly perfectly cast… Christopher Plummer is great, Dabney Coleman too. Only Jack O’Halloran is problematic. He looks perfect in the part, but once he starts “acting,” it fizzles.

Mankiewicz is a fine director. He’s got a good sense of composition mixed with a nice, straightforward style. The editing is quite good as well.

It’s just an excellent comedy.

CREDITS

Directed by Tom Mankiewicz; screenplay by Dan Aykroyd, Alan Zweibel and Mankiewicz, based on the radio and television series created by Jack Webb; director of photography, Matthew F. Leonetti; edited by Richard Halsey and William D. Gordean; music by Ira Newborn; production designer, Robert F. Boyle; produced by David Permut and Robert K. Weiss; released by Universal Pictures

Starring Dan Aykroyd (Sgt. Joe Friday), Tom Hanks (Pep Streebeck), Christopher Plummer (Reverend Jonathan Whirley), Harry Morgan (Captain Bill Gannon), Alexandra Paul (Connie Swail), Jack O’Halloran (Emil Muzz), Elizabeth Ashley (Jane Kirkpatrick), Dabney Coleman (Jerry Caesar), Kathleen Freeman (Enid Borden), Bruce Gray (Mayor Parvin) and Lenka Peterson (Granny Mundy).


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