Tag Archives: Vincent Martella

Role Models (2008, David Wain), the unrated version

Role Models is shockingly good. It fuses the inappropriately blunt comedy genre with a listless thirties white men growing up genre. The result is a constantly funny film–I mean, it’s Seann William Scott swearing at kids… from the two minute mark–with a solid emotional core. And it’s never artificial.

Scott isn’t the lead (though he gets top billing), rather Paul Rudd. Rudd plays a miserable thirty-something, depressed over the lack of substance in his life (of course, he’s ignoring having a grown-up relationship with lawyer girlfriend Elizabeth Banks), who lands he and Scott in trouble.

Their punishment? A Big Brother program.

The film overcomes its occasional contrivances–besides Banks being a lawyer to represent Rudd and Scott, the midsection has a painful juxtaposition of both men realizing they aren’t being the best Big Brothers they could be. But Wain, whose strength as a director is making the absurdities wholly believable, keeps the sequence going until it works.

Scott is hilarious–he’s playing his American Pie role aged–but Rudd makes the film. He doesn’t worry about being appealing, since Scott fills that function, instead selling the character’s developing self-awareness.

As their charges, Christopher Mintz-Plasse and Bobb’e J. Thompson are both good. Mintz-Plasse probably gives a better performance, but Thompson is funnier.

Banks is solid too, grounding the film.

The supporting cast is excellent, Jane Lynch and Ken Marino in particular. Especially Lynch.

Role Models is earnest and thoughtful. It’s a fantastic grown-up comedy.

3/4★★★

CREDITS

Directed by David Wain; screenplay by Paul Rudd, Wain, Ken Marino and Timothy Dowling, based on a story by Dowling and W. Blake Herron; director of photography, Russ T. Alsobrook; edited by Eric Kissack; music by Craig Wedren; production designer, Stephen J. Lineweaver; produced by Luke Greenfield, Mary Parent and Scott Stuber; released by Universal Pictures.

Starring Paul Rudd (Danny), Seann William Scott (Wheeler), Christopher Mintz-Plasse (Augie), Bobb’e J. Thompson (Ronnie), Jane Lynch (Sweeny), Elizabeth Banks (Beth), Ken Jeong (King Argotron), Joe Lo Truglio (Kuzzik), Ken Marino (Jim Stansel), Kerri Kenney (Lynette), A.D. Miles (Martin), Matt Walsh (Davith of Glencracken), Nicole Randall Johnson (Karen), Alexandra Stamler (Esplen), Carly Craig (Connie), Jessica Morris (Linda the Teacher) and Vincent Martella (Artonius).


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Batman: Under the Red Hood (2010, Brandon Vietti)

Apparently, given the chance, comic book writers write screenplays just like comic books. Sitting through Under the Red Hood is not an unpleasant experience–Bruce Greenwood, voice alone, is the best Batman since Michael Keaton, animated or actual–but it’s got an atrocious plot structure.

First, the movie would be unintelligible for anyone who didn’t read Batman comics. Screenwriter Judd Winick (who also wrote some of the comics this movie’s based on) has an endless amount of costumed characters show up. It’s firmly set in the comic book world, which makes it fail as a filmic narrative.

Fail might be a little harsh. Red Hood doesn’t succeed, but it isn’t Winick’s fault. Besides Greenwood, most of the voice acting is terrible. Jensen Ackles, voicing a grownup, evil Robin, finally answers the question about Batman and Robin’s sexual relationship–I’m pretty sure Cyrano never sounded as amorous as Ackles does when talking to Greenwood’s Batman. I wonder if they recorded together.

Even worse is John Di Maggio’s Joker. The character’s written as a lunatic, but Di Maggio plays a vicious thug instead, presumably a Dark Knight influence.

Speaking of influences, there’s a nice little homage to the Adam West show and lots of the production design owes to the Tim Burton films. It’s a very good looking animated movie when the poorly illustrated characters aren’t running around.

If it had just been a bit better plotted, it would have been much better. Still, might be worth a viewing for Greenwood’s performance.

1/4

CREDITS

Directed by Brandon Vietti; screenplay by Judd Winick, based on comic books by Jim Starlin, Jim Aparo, Winick and Doug Mahnke and on characters created by Bob Kane; edited by Margaret Hou; music by Christopher Drake; produced by Bruce W. Timm and Bobbie Page; released by Warner Premiere.

Starring Bruce Greenwood (Batman), Jensen Ackles (Red Hood), John Di Maggio (The Joker), Neil Patrick Harris (Nightwing), Jason Isaacs (Ra’s al Ghul), Wade Williams (Black Mask), Gary Cole (Commissioner Gordon), Kelly Hu (Ms. Li), Vincent Martella (Robin) and Jim Piddock (Alfred Pennyworth).


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