Maybe if it weren’t for the Stephen J. Cannell television techniques (cars flying through the air or exploding on impact), the asinine, comedic banter between the deputies, some poor writing and Richard Crenna, First Blood might have been okay. Ted Kotcheff isn’t a good director though, so maybe not. Kotcheff shoots exteriors well (the stuff a second unit could have also done), but his composition for actors is simplistic and his director of the actors is terrible. Crenna’s role is just idiotically written, but both Stallone and Brian Dennehy careen from good to bad and not all their writing is bad; Kotcheff was just a terrible fit.
First Blood‘s actually kind of boring, mostly because it wastes all of its potential. The opening with Stallone visiting a friend off a beautiful lake really works, because it gets across the idea Rambo smiles when he sees children play. That characterization of Rambo doesn’t hold up through the entire movie and it’s a real problem. Anyway, after the opening, there’s the whole small town cops hassle Rambo stuff. Those scenes have some potential. Not a lot, because the transition from the sensitive Rambo who comforts an angry woman isn’t there. But David Caruso’s good as the sympathetic young deputy and Dennehy’s sheriff is still just a Western bad guy (the big mistake is later, when the script tries to give him depth).
But then Stallone hops on a motorcycle and starts doing wheelies and all the reality goes whoosh. Of course, after just showing him as a heartless animal, he’s warning people to get out of the way of the motorcycle on the sidewalk. Then there’s the long sequence in the forest, with awful cinematography. Then Richard Crenna shows up and is terrible and then a bunch of other stuff, then the ending Gremlins seems to have ripped off a little (it’s okay, since First Blood stole a lot from Raiders of the Lost Ark).
All the while, Jerry Goldsmith’s absurd score booms. Goldsmith appears to have never seen First Blood and is instead scoring an action movie with motorcycles. Oh, wait….
Stallone really does try during some of the scenes, but it doesn’t work. His big monologue is nowhere near as effective as when he tells some guy to get out of a speeding truck. Some of his wordless grunting scenes are bad, but most of his stuff is just boring–the movie probably spends fifteen minutes with him walking silently through a mine.
Nothing, of course, compares to that terrible end credit song, which is horrific. Sadly, the moment just before the song starts, Goldsmith’s score is for one second appropriate and First Blood actually seems all right. Then the song starts.
Directed by Ted Kotcheff; screenplay by Michael Kozoll, William Sackheim and Sylvester Stallone, based on the novel by David Morrell; director of photography, Andrew Laszlo; edited by Joan E. Chapman; music by Jerry Goldsmith; production designer, Wolf Kroeger; produced by Buzz Feitshans; released by Orion Pictures.
Starring Sylvester Stallone (John J. Rambo), Richard Crenna (Col. Samuel Trautman), Brian Dennehy (Hope Sheriff Will Teasle), Bill McKinney (State Police Capt. Dave Kern), Jack Starrett (Deputy Sgt. Arthur Galt), Michael Talbott (Deputy Balford), Chris Mulkey (Deputy Ward), John McLiam (Orval the Dog Man), Alf Humphreys (Deputy Lester), David Caruso (Deputy Mitch), David L. Crowley (Deputy Shingleton) and Don MacKay (Preston).
- Weekend at Bernie's (1989, Ted Kotcheff)
- The Hard Way (1991, John Badham)
- Poltergeist II: The Other Side (1986, Brian Gibson)
- Innerspace (1987, Joe Dante)
- Total Recall (1990, Paul Verhoeven)