Tag Archives: Peter Robbins

It’s the Great Pumpkin, Charlie Brown (1966, Bill Melendez)

“It’s the Great Pumpkin, Charlie Brown” is near perfect. Director Melendez and writer Charles M. Schulz create this beautiful little experience. The special’s excellence is in its structure. “Pumpkin” has the main plot–Linus waiting for the Great Pumpkin, which actually starts as Linus writing the Great Pumpkin–and then the two subplots. First, the other Peanuts gang having Halloween and, second, Snoopy’s adventures as a World War I ace.

The three threads mix a lot–Snoopy shows up memorably in Linus’s story and Lucy is always giving Linus crap when she passes through his pumpkin patch–and the special creates its own cohesive universe. There’s no concern for anything outside it; Melendez and Schulz conceive it beautifully.

They even have time for capsule scenes, like Snoopy’s reactions to Schroeder’s piano playing.

And the end is absolutely perfect. It’s never schmaltzy and it’s always sincere without being saccharine. It’s magnificent.

CREDITS

Produced and directed by Bill Melendez; written by Charles M. Schulz; animated by Bob Bachman; edited by Robert T. Gillis; music by Vince Guaraldi; released by the Columbia Broadcasting System.

Starring Peter Robbins (Charlie Brown), Christopher Shea (Linus Van Pelt), Sally Dryer (Lucy Van Pelt), Kathy Steinberg (Sally Brown), Ann Altieri (Frieda / Violet), Gail DeFaria (Pigpen), Lisa DeFaria (Patty) and Glenn Mendelson (Schroeder / Shermy).


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You’re in Love, Charlie Brown (1967, Bill Melendez)

As hard as director Melendez tries, there’s not much he can do with “You’re in Love, Charlie Brown.” The special’s two salient problems are the animation and the writing. Melendez comes up with some truly stunning shots in the special; for example, he closes with a beautiful zoom out with a lot of activity. But the actual animation–the movement, the illustration of the characters and settings–is bad.

But he could probably overcome that one, especially since the music from Vince Guaraldi is particularly excellent.

Charles M. Schulz’s writing, however, is insurmountable. Over the first half is spent on Charlie Brown whining about no one liking him and how much he likes the Little Red-Haired Girl. It makes Peter Robbins’s Charlie Brown unlikable.

The final ten minutes pick up a little, thanks to Melendez’s ambitions. The special doesn’t succeed, but Melendez is able to keep it from failing.

CREDITS

Produced and directed by Bill Melendez; written by Charles M. Schulz; music by
Vince Guaraldi; released by the Columbia Broadcasting System.

Starring Peter Robbins (Charlie Brown), Christopher Shea (Linus Van Pelt), Sally Dryer (Lucy van Pelt), Kathy Steinberg (Sally Brown), Gail DeFaria (Patricia ‘Peppermint Patty’ Reichardt) and Ann Altieri (Violet).


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It Was a Short Summer, Charlie Brown (1969, Bill Melendez)

“It Was a Short Summer, Charlie Brown” is a rather ambitious cartoon, both from Melendez’s directorial standpoint and Charles M. Schulz’s narrative. It starts with the beginning of the school year, then moves back–through the writing of a theme–to the summer. Schulz uses Charlie Brown, Linus and Lucy to establish the flashback, which gives “Summer” a very nice feel.

He is not, unfortunately, ambitious enough to use the format to explore unreliable narrators.

And Melendez comes up with some excellent composition. But his animators fail him one after another. There will be some beautiful layout and the animation detail is just terrible. Characters are static in one shot and animate in another. It’s disconcerting.

The cartoon succeeds overall, overcoming the animation problems. Peter Robbins is good as Charlie Brown and Christopher DeFaria amuses as Peppermint Patty.

“Summer” also shows, very briefly, a teenager, which is a Peanuts rarity.

CREDITS

Directed by Bill Melendez; written by Charles M. Schulz; edited by Robert T. Gillis, Chuck McCann and Steven Cuitlahuac Melendez; music by Vince Guaraldi; produced by Melendez and Lee Mendelson; released by the Columbia Broadcasting System.

Starring Peter Robbins (Charlie Brown), Pamelyn Ferdin (Lucy van Pelt), Glenn Gilger (Linus van Pelt), Hilary Momberger (Sally Brown), Christopher DeFaria (Patricia ‘Peppermint Patty’ Reichardt), John Daschback (Schroeder), Ann Altieri (Frieda), David Carey (Shermy) and Gail DeFaria (Pigpen).


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A Charlie Brown Christmas (1965, Bill Melendez)

Two things stick out in “A Charlie Brown Christmas”. First, Charlie Brown is a bit of a drag. Charles M. Schulz, writing the script, initially sets up Charlie Brown as the Scrooge of “Christmas”. While that condition changes a little–eventually, Charlie Brown is the victim of the rest of the Peanuts gang–it’s a disconcerting opening.

Schulz is trying to make a statement about commercialism and Christmas, but it never connects.

The other thing about “Christmas” is Melendez’s direction. It’s often terrible, which is surprising. The beginning is reasonably sublime, set to Vince Guaraldi’s lovely score, but then the action moves inside and Melendez loses touch. He has these terrible close-ups.

There are some nice touches–Linus on the run from Sally, Lucy and Schroeder contending with Snoopy–but “Christmas” is undercooked.

Schulz works towards a point, but doesn’t find one, and Melendez similarly flounders.

It’s rather disappointing.

CREDITS

Produced and directed by Bill Melendez; written by Charles M. Schulz; edited by Robert T. Gillis; music by Vince Guaraldi; released by the Columbia Broadcasting System.

Starring Peter Robbins (Charlie Brown), Christopher Shea (Linus Van Pelt), Tracy Stratford (Lucy Van Pelt), Kathy Steinberg (Sally Brown), Chris Doran (Schroeder / Shermy), Geoffrey Ornstein (Pig-Pen), Sally Dryer (Violet), Ann Altieri (Freida), Karen Mendelson (Patty) and Bill Melendez (Snoopy).


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