Tag Archives: Michael Kitchen

GoldenEye (1995, Martin Campbell)

I love Goldeneye’s plotting. It’s clear they plotted the film to be most enjoyed the first time through, but in terms of reveals and action sequences. The opening sequence doesn’t work particularly well in the end, though, a problem I had the last time I watched the film as well. It’s simply not interesting on video—we know James Bond is going to make it and without the spectacle, it doesn’t work.

Goldeneye excels on two levels. Campbell’s direction is magnificent; he’s able to alternate between the grand, third person Panavision action and setup direction, but also some incredibly personal moments. Combined with his ability, Eric Serra’s score just makes Goldeneye an audio-visual delight. Campbell’s an excellent Panavision action director and generally traditional in those scenes. But Serra’s music is very revisionist. It changes the film’s feel, without affecting the tone.

The other level is Pierce Brosnan and Izabella Scorupco. While Brosnan’s great as Bond, it’s not like he’s achieving much. There’s only so much he can do. But Scorupco is able to humanize him. She’s not a damsel in distress, instead she’s an active participant (one wonders if a better film might not have featured her as the lead and a Bond-like character as her sidekick). She’s fantastic.

The supporting cast has highs and lows. Famke Janssen, Robbie Coltrane and Gottfried John are all good, John especially. Sean Bean and Alan Cumming are weak. Judi Dench and Joe Don Baker are in between.

It’s a solid film.

3/4★★★

CREDITS

Directed by Martin Campbell; screenplay by Jeffrey Caine and Bruce Feirstein, based on a story by Michael France and characters created by Ian Fleming; director of photography, Phil Meheux; edited by Terry Rawlings; music by Eric Serra; production designer, Peter Lamont; produced by Barbara Broccoli and Michael G. Wilson; released by United Artists.

Starring Pierce Brosnan (James Bond), Sean Bean (Alec Trevelyan), Izabella Scorupco (Natalya Simonova), Famke Janssen (Xenia Onatopp), Joe Don Baker (Jack Wade), Judi Dench (M), Robbie Coltrane (Valentin Dmitrovich Zukovsky), Gottfried John (General Arkady Grigorovich Ourumov), Alan Cumming (Boris Grishenko), Tchéky Karyo (Defense Minister Dmitri Mishkin), Desmond Llewelyn (Q), Samantha Bond (Miss Moneypenny), Michael Kitchen (Bill Tanner) and Serena Gordon (Caroline).


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The World Is Not Enough (1999, Michael Apted)

Denise Richards is not convincing as a nuclear physicist. That statement made, Apted might get her best performance ever in this film. It’s still awful. Her lack of charisma is painful; one has to wonder how Brosnan and Apted were able to put up with it, given the rest of the film’s considerable accomplishments.

The World is Not Enough probably has ten great action sequences. Something about Apted’s direction lets him ground the general Bond absurdity and create these transfixing sequences. Not all of these scenes are important–there’s a couple for pure padding purposes–but Apted makes them work. Given he’s not known as an action director, it’s interesting to see his sensibilities translate so well to the genre.

Besides the direction, the film’s got a pretty solid script. It’s got some goofiness–it’s not particularly believable Judi Dench is a sentimental moron–but it’s fine. There’s some smiles, if not laughs, and it moves well.

And besides Richards, the supporting cast is excellent. Sophie Marceau gets the primary female role and does well with it. The other principle is Robert Carlyle, who gives one of his great, chameleon performances here. While it might have been simpler just to mimic his Trainspotting performance, he instead creates a nearly sympathetic, utterly evil villain. And Robbie Coltrane’s back. He’s hilarious.

The film survives Richards mostly thanks to Brosnan, who carries the weight of their scenes all himself. But he’s also just very assured here.

Still, I can’t help wondering who else auditioned for Richard’s role.

2/4★★

CREDITS

Directed by Michael Apted; screenplay by Neal Purvis, Robert Wade and Bruce Feirstein, based on a story by Purvis and Wade and characters created by Ian Fleming; director of photography, Adrian Biddle; edited by Jim Clark; music by David Arnold; production designer, Peter Lamont; produced by Michael G. Wilson and Barbara Broccoli; released by Metro-Goldwyn-Mayer.

Starring Pierce Brosnan (James Bond), Sophie Marceau (Elektra King), Robert Carlyle (Renard), Denise Richards (Dr. Christmas Jones), Robbie Coltrane (Valentin Zukovsky), Desmond Llewelyn (Q), John Cleese (R), Maria Grazia Cucinotta (Cigar Girl), Samantha Bond (Miss Moneypenny), Michael Kitchen (Tanner), Colin Salmon (Robinson), Goldie (Bullion), Serena Scott Thomas (Dr. Molly Warmflash) and Judi Dench (M).


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