Tag Archives: Lloyd Vaughan

Hare Conditioned (1945, Chuck Jones)

Posted on 28 April 2012 | Leave a comment

Embarrassingly, I didn’t understand Hare Conditioned‘s title until I looked it up online. No, I won’t tell you.

The cartoon is an enthusiastic chase through a department store, with star window attraction Bugs Bunny about to be shipped off the to taxidermy department. Bugs is likable here, partially because he’s opposite a heinous villain, the store manager (voiced by Dick Nelson).

Jones and writer Tedd Pierce manage to get both characters in drag, with Bugs’s feminine persona wooing the manager. There’s just got to be a scholarly work about the use of cross-dressing as a seduction device in Warner Bros. cartoons. There’s just got to be….

Jones has some fun ideas and a lot of good gags. Occasionally his animators can’t realize them but, on a whole, Hare Conditioned is a lot more successful than not.

It’s pleasant and consistently amusing, but there’s nothing particularly distinctive about it overall.

CREDITS

Directed by Chuck Jones; written by Tedd Pierce; animated by Basil Davidovich, Ken Harris, Lloyd Vaughan, Ben Washam and Robert Cannon; edited by Treg Brown; music by Carl W. Stalling; produced by Edward Selzer; released by Warner Bros.

Starring Mel Blanc (Bugs Bunny) and Dick Nelson (Store manager).

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Posted in 1945, Animation, Color, Comedy, English, Family, Short, USA

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Fresh Airedale (1945, Chuck Jones)

Posted on 13 March 2012 | 1 Comment

Fresh Airedale opens without titles and I’m a little surprised to see it’s Chuck Jones. The animation is rather weak for the most part and, while there’s inventiveness, it’s chaste.

The cartoon has either a mixed message or just a depressing one. It’s all about a sociopathic, Machiavellian airedale who does whatever he can to get all the attention in the world. Meanwhile, a nice cat suffers.

So it’s either about how people stupidly like dogs over cats or about how this particular dog is the Mussolini of terriers.

Sadly, there’s no point in deciding which one. Michael Maltese is all over the place with the plotting and it sort of kills any expectation for the cartoon.

Mel Blanc doesn’t have much to do with most the voices, but Frank Graham is excellent in his role as the dog’s stupid owner.

Knowing it’s Jones, I expected a whole lot more.

CREDITS

Directed by Chuck Jones; written by Michael Maltese; animated by Ken Harris, Lloyd Vaughan and Ben Washam; edited by Treg Brown; music by Carl W. Stalling; produced by Edward Selzer; released by Warner Bros.

Starring Mel Blanc (Cat / Prowler / Nightmare Voices / Shep) and Frank Graham (Narrator / Shep’s Master).

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Posted in 1945, Animation, Color, Comedy, English, Family, Short, USA, Warner Bros.

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Duck Amuck (1953, Chuck Jones)

Posted on 10 March 2012 | 1 Comment

Duck Amuck is either very memorable or very predictable. If I have ever seen it, it was fifteen plus years ago. Yet I could guess a bunch of the plot twists, including the final one.

That final reveal, which might make Amuck memorable, also undoes a lot of the neat stuff the cartoon does otherwise.

The premise is simple–Daffy Duck battles a mischievous animator, losing his voice, his body, the backgrounds, the foregrounds and so on. The cartoon’s best when Jones is playing with how sound works in animation and it puts Amuck ahead.

There’s also the secondary thread–how cartoons abuse their characters. Here, Daffy gets to voice (to the animator and the audience) some of that outrage and indignity.

But then the final reveal comes along and undoes all that work. It’s just a gag, think about.

Blanc does great voice work here.

It should’ve been better.

CREDITS

Directed by Chuck Jones; written by Michael Maltese; animated by Ken Harris, Lloyd Vaughan and Ben Washam; edited by Treg Brown; music by Carl W. Stalling; produced by Edward Selzer; released by Warner Bros.

Starring Mel Blanc (Daffy Duck / The Animator).

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Posted in 1953, Animation, Color, Comedy, English, Family, Short, USA, Warner Bros.

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Feed the Kitty (1952, Chuck Jones)

Posted on 4 February 2012 | 1 Comment

A tough bulldog adopts an adorable kitten in Feed the Kitty; a story Jones liked so much he remade it. But the original is manages to be charming without saccharine, maybe because of the really strange objectification of the dog’s lady owner.

She kicks up her skirt at one point, revealing her legs, and it seems highly inappropriate.

The cartoon mostly concerns the dog not being allowed new toys–or, he assumes, a new kitten–and having to hide the kitten from the owner.

All the various gags to hide the kitten are good. There’s even the sequence where the dog thinks the kitten’s been baked. Jones handles the despondence quite well.

The only weak moment is during a chase sequence when the perspective gets messed up. Otherwise, everything–story, direction, animation–is wonderful.

Kitty‘s a fine fifties visual time capsule, but it’s also an excellent bit of cartooning.

CREDITS

Directed by Chuck Jones; written by Michael Maltese; animated by Ken Harris, Phil Monroe, Lloyd Vaughan and Ben Washam; edited by Treg Brown; music by Carl W. Stalling; produced by Edward Selzer; released by Warner Bros.

Starring Mel Blanc (Marc Anthony / Pussyfoot) and Bea Benaderet (Marc Anthony’s Mistress).

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Posted in 1952, Animation, Color, Comedy, English, Family, Short, USA, Warner Bros.

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Rabbit Hood (1949, Chuck Jones)

Posted on 14 January 2012 | Leave a comment

Rabbit Hood features some great voice work from Mel Blanc. Some of the responsibility falls on Jones and writer Michael Maltese, of course, since they put Bugs Bunny in Sherwood Forest with the Sheriff of Nottingham as an antagonist… but Blanc makes the cartoon memorable. Bugs has some great dialogue and Blanc nails it.

That success even makes up for his lesser work on the Sheriff, who’s a problematic antagonist. Jones and Maltese can’t make him actually threatening, so they play him like a buffoon. He’s not just an unworthy adversary for Bugs, he’s a boring one.

But the cartoon excels anyway. The gags are all strong, as is the pacing. Jones holds the gags in their aftermaths, waiting until the perfect moment to release the tension.

The animation’s quite good and Jones composes some excellent frames.

Hilarious tights on the Sheriff too.

And the final gag is utterly fantastic.

CREDITS

Directed by Chuck Jones; written by Michael Maltese; animated by Ken Harris, Phil Monroe, Lloyd Vaughan and Ben Washam; edited by Treg Brown; music by Carl W. Stalling; produced by Edward Selzer; released by Warner Bros.

Starring Mel Blanc (Bugs Bunny / Sheriff of Nottingham / Little John).

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Posted in 1949, Animation, Color, Comedy, English, Family, Short, USA, Warner Bros.

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Frigid Hare (1949, Chuck Jones)

Posted on 27 December 2011 | Leave a comment

Frigid Hare ends on a strange note. It looks like Bugs Bunny and his newfound penguin friend are walking in place in front of the Northern Lights. The shot’s disconcerting since the rest of the cartoon is so strong.

Bugs is in Antarctica, having made a wrong turn and wasted a few days of his vacation. The vacation timeline is rather problematic… when the cartoon ends, Bugs only has four days left. So it takes him about a week to figure out his plan to rescue the penguin from an Inuit hunter. Oh, wait… Antarctica is unpopulated.

I guess Frigid Hare has more than one logic hole.

But it’s a charming cartoon, with Jones coming up with all sorts of great sight gags. I actually remember it from my childhood, the imagery is so strong.

And the penguin is adorable.

It’s even good natured, which is somewhat surprising for Bugs.

CREDITS

Directed by Chuck Jones; written by Michael Maltese; animated by Ken Harris, Phil Monroe, Lloyd Vaughan and Ben Washam; edited by Treg Brown; music by Carl W. Stalling; produced by Edward Selzer; released by Warner Bros.

Starring Mel Blanc (Bugs Bunny / The Inuit Hunter).

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Posted in 1949, Animation, Color, Comedy, English, Family, Short, USA, Warner Bros.

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Mouse Wreckers (1948, Chuck Jones)

Posted on 22 September 2011 | Leave a comment

I have some not insignificant problems with Mouse Wreckers.

First, the cartoon is almost entirely beautiful. Great backgrounds, great talking mice, almost everything. Except the mice’s victim, a cat. The animation on the cat is fine, but the design of the cat itself is awful. It frequently disrupts otherwise fine shots.

Second, the cat’s innocent. The mice go after him because he’s got awards for mouse catching. The cartoon never shows it. In fact, the cartoon shows the cat to be stupid and lovable. He drinks too much catnip, who wouldn’t love a cat like him….

For the first half, the gags the mice pull to get the cat to leave the house are weak. Wreckers is more interesting, during those scenes, in terms of the great animation on the mouse’s pulley.

But the final gag is fantastic. It saves the cartoon, probably because it’s the longest gag as well.

CREDITS

Directed by Chuck Jones; written by Michael Maltese; animated by Ken Harris, Phil Monroe, Lloyd Vaughan and Ben Washam; edited by Treg Brown; music by Carl W. Stalling; produced by Edward Selzer; released by Warner Bros.

Starring Mel Blanc (Hubie / Claude) and Stan Freberg (Bertie).

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Posted in 1948, Animation, Color, Comedy, English, Family, Short, USA, Warner Bros.

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