Director of not one, not two, but three 1980s John Hughes movies, Howard Deutch applies those hard-earned skills to remaking M*A*S*H and, shockingly, doesn’t do too bad of a job. Sure, Article 99 is absurd and Lea Thompson as a doctor is a hoot, but its well-intentioned and sensitive to its characters. I’d heard of the movie before–I think I even have an Article 99 scrub shirt–but I thought it was a period piece, set either during Vietnam or just after. Instead, it’s set in modernity, which allows for the villains to be Republicans without military service who are trying to save a buck at the expense of veterans. Kind of eerie, isn’t it?
Even with a terrible opening–after a moderately classy, if way too forced Americana title sequence–pissed off vet Leo Burmester (nicknamed Shooter) tries to take the hospital hostage. It’s a loony sequence, but it introduces all of the characters pretty well and is one of the few times Article 99 is trying to be its own thing, instead of that M*A*S*H remake. It’s also the first time Danny Elfman reuses some of his more famous scores in Article 99 (though his love theme for the film, which seems to be an original, is nice). Following that sequence, Article 99 calms down a bit. There are hijinks, evil bureaucrats and so on, but it doesn’t jar the viewer’s suspension of disbelief until the end.
The reason Article 99 succeeds, even with the cartoonishness, is its actors. Kiefer Sutherland is earnest (even if his character making it through medical school seems unlikely) and likable. Forest Whitaker and John C. McGinley are good in supporting roles. I already mentioned the unbearably terrible Thompson, but Deutch seemed to realize it and only kept ten of her lines in the picture. But there’s Eli Wallach and Keith David to make up for it. Wallach has some great scenes with Sutherland and some great dialogue too (the script’s got a bunch of good one liners). David’s the all-knowing vet and even though the character’s goofy, David makes it work. John Mahoney’s villain is a solid John Mahoney villain, if a little less ruthless (he doesn’t get to kill anyone) than the usual.
I saved this paragraph just for Ray Liotta and Kathy Baker. Liotta’s performance–a leading man performance–is fantastic. It’s hard to believe he couldn’t make it as a lead, just because he’s so obvious great at it. Except then there’s the romance with Baker. Their courtship–and Elfman’s score for it–is one of the best things about Article 99, even if it seems totally out of place, both in terms of plot and quality.
Article 99 has its highs and lows, but wisely starts at its lowest point (the silly plot development at the end is more palatable after Burmester driving his car into the hospital in the opening). There’s a real sincerity to it, not just in the approach to the content, but also in the presentation of it. Liotta has a scene where he lectures amoral boss Mahoney on the duties of VA doctors and makes it work. It shouldn’t work, but it really does.
CREDITS
Directed by Howard Deutch; written by Ron Cutler; director of photography, Richard Bowen; edited by Richard Halsey; music by Danny Elfman; production designer, Virginia L. Randolph; produced by Michael Gruskoff and Michael I. Levy; released by Orion Pictures.
Starring Ray Liotta (Dr. Richard Sturgess), Kiefer Sutherland (Dr. Peter Morgan), Forest Whitaker (Dr. Sid Handleman), Lea Thompson (Dr. Robin Van Dorn), John C. McGinley (Dr. Rudy Bobrick), John Mahoney (Dr. Henry Dreyfoos), Keith David (Luther Jermoe), Kathy Baker (Dr. Diana Walton), Eli Wallach (Sam Abrams), Noble Willingham (Inspector General), Julie Bovasso (Amelia Sturdeyvant), Troy Evans (Pat Travis), Lynne Thigpen (Nurse White), Jeffrey Tambor (Dr. Leo Krutz), Leo Burmester (Shooter Polaski), Ernest Abuba (Ikiro Tenabe) and Rutanya Alda (Ann Travis).
