Tag Archives: Larry Lieber

Iron Man 3 (2013, Shane Black)

Iron Man 3 feels a lot like the end of the series, which isn’t a bad thing–Robert Downey Jr. does the hero’s journey thing quite well–but director Black handles it oddly. After spending the entire movie pairing Downey with buddies, whether love interest Gwyneth Paltrow, sidekicks Don Cheadle and Jon Favreau, his computer and even an adorable little kid, Downey finishes the movie by himself.

But he’s just learned he can’t get by without a little help from his friends.

Anyway, it’s a stumble after an incredibly entertaining couple hours. Even when the film’s being serious–and sometimes even frightening (the villains are quite good)–it’s always a lot of fun. Downey and Paltrow are wonderful together, as usual, and Black never lets it get too somber. The end credits are self-congratulatory in the best way (if playing into the series finale thing a little much).

Cheadle doesn’t have a lot to do–Iron Man 3 could be a lot longer; more movie would plug most of its plot holes (besides Downey going from experienced marksman to novice in twenty minutes)–but he’s good. Ditto for Rebecca Hall as an ex-girlfriend. She and Paltrow get nowhere near enough time together.

The big surprises are Ben Kingsley as the supervillain and Guy Pearce as a business rival. Kingsley’s excellent, but Pearce’s spellbinding. He walks off with the movie. He alone makes it worth seeing.

The only real bad spot is Brian Tyler’s crappy score.

Otherwise, it rocks.

CREDITS

Directed by Shane Black; screenplay by Drew Pearce and Black, based on the Marvel Comics character created by Stan Lee, Larry Lieber, Don Heck and Jack Kirby; director of photography, John Toll; edited by Peter S. Elliot and Jeffrey Ford; music by Brian Tyler; production designer, Bill Brzeski; produced by Kevin Feige; released by Walt Disney Studios.

Starring Robert Downey Jr. (Tony Stark), Gwyneth Paltrow (Pepper Potts), Don Cheadle (Colonel James Rhodes), Guy Pearce (Aldrich Killian), Rebecca Hall (Maya Hansen), Jon Favreau (Happy Hogan), James Badge Dale (Savin), William Sadler (President Ellis), Ty Simpkins (Harley Keener), Miguel Ferrer (Vice President Rodriguez) and Ben Kingsley (The Mandarin).


Related posts:

Iron Man series:

About these ads

Thor (2011, Kenneth Branagh)

Thor has two problems to overcome. Director Branagh is successful at one of them. The first problem is half the film takes place in mythological Asgard, which is an ancient place, but very modern with all the latest streamlined architecture—think if Art Deco molded with neon, some magical stuff and then inexplicable horse-based transit. For a superhero movie, it asks a lot. One has to believe it. Branagh makes it work.

The second problem is less severe and, by the time it becomes clear, it’s sort of a non-issue. The New Mexico setting for the “on Earth” sequences is boring. There’s this fantastic ten foot tall metal monster thing and it all looks great, but it’s destroying a tiny desert town. It’d be a lot more fun to watch it destroy something bigger. But, by this time, the romance between Chris Hemsworth and Natalie Portman is going and the movie’s coasting. Plus, the exit from New Mexico’s a nice sequence.

The script’s assured, but again, the acting helps. Tom Hiddleston walks off with the movie as Hemsworth’s brother and antagonist. Idris Elba and Jaimie Alexander are also strong. Anthony Hopkins is fine (one wonders how much they spent making him look so young at times). Hemsworth is ideal in the lead. Portman is just doing the smart girlfriend role—and she has some problems—but she’s good overall.

Great score from Patrick Doyle. Nice composition from Branagh.

Thor’s a lot of fun; it escapes its inherent goofiness.

CREDITS

Directed by Kenneth Branagh; screenplay by Ashley Miller, Zack Stentz and Don Payne, based on a story by J. Michael Straczynski and Mark Protosevich and the Marvel Comics characters created by Stan Lee, Larry Lieber and Jack Kirby; director of photography, Haris Zambarloukos; edited by Paul Rubell; music by Patrick Doyle; production designer, Bo Welch; produced by Kevin Feige; released by Paramount Pictures.

Starring Chris Hemsworth (Thor), Natalie Portman (Jane Foster), Tom Hiddleston (Loki), Stellan Skarsgard (Dr. Erik Selvig), Kat Dennings (Darcy), Idris Elba (Heimdall), Colm Feore (King Laufey), Jaimie Alexander (Sif), Joshua Dallas (Fandral), Tadanobu Asano (Hogun), Ray Stevenson (Volstagg), Rene Russo (Frigga), Clark Gregg (Agent Coulson) and Anthony Hopkins (Odin).


Related posts:

Iron Man 2 (2010, Jon Favreau)

Even with its problems, Iron Man 2 is leagues better than the original.

There’s some awkward plotting to catch the viewer up with the characters and it all makes for a wonderfully boring superhero movie.

That open’s a showcase for Downey’s acting abilities, given he’s on a slow burn as everything around him explodes–for the first half, there’s not much Iron Man, but lots of villain stuff with Mickey Rourke and Sam Rockwell, plus the introduction of Scarlett Johansson and “return” of Don Cheadle.

And when it does finally catch fire–even with the more ludicrous plot elements–it’s fantastic. It’s a shame it ends when it does, since it introduces so much great material for the actors to work with.

As far as actors… Downey’s great, Rourke’s great… Rockwell’s a little toned down–he’s been a lot more dynamic in other stuff–and, finally, someone realized Downey and Gwyneth Paltrow do a great Nick and Nora together and let them.

Unfortunately, there are other actors. Cheadle’s okay. It’s never believable he and Downey are friends though (it wasn’t in the first one with Terrence Howard, so no biggie). Johansson’s infinitely bland, which is better than her normal awful (regardless of her acting, her fight scene has some great choreography). Samuel L. Jackson is a joke, one the filmmakers don’t seem to be in on.

It’s a lot of fun and it’s got some actual content, which really surprised me.

It’s a shame about John Debney’s laughable score though.

CREDITS

Directed by Jon Favreau; screenplay by Justin Theroux, based on the Marvel Comics character created by Stan Lee, Larry Lieber, Don Heck and Jack Kirby; director of photography, Matthew Libatique; edited by Richard Pearson and Dan Lebental; music by John Debney; production designer, J. Michael Riva; produced by Kevin Feige; released by Paramount Pictures.

Starring Robert Downey Jr. (Tony Stark), Gwyneth Paltrow (Pepper Potts), Mickey Rourke (Ivan Vanko), Don Cheadle (Rhodey), Scarlett Johansson (Natalie), Sam Rockwell (Justin Hammer), Samuel L. Jackson (Nick Fury), Clark Gregg (Agent Coulson), Garry Shandling (Senator Stern), Jon Favreau (Happy) and John Slattery (Howard Stark).


Related posts:

Iron Man series:

Iron Man (2008, Jon Favreau)

Iron Man is a qualified success. Robert Downey Jr. is fantastic throughout–the movie’s greatest strength is how much screen time he gets–and Jon Favreau does really well with the Iron Man scenes and the action scenes in general (he does terrible with almost everything else). But, while it also moderately succeeds as a romantic comedy–Downey and Gwyneth Paltrow’s performances in their absurdly written scenes are great–it fails dramatically. There’s no friendship between Downey and Terrence Howard (the movie doesn’t even need him) and here’s no father (figure) and son relationship between Downey and Jeff Bridges. Bridges is necessary to the movie, from a plot standpoint, and he’s far better are turning in a solid performance in a poorly sketched role than Howard. It also fails as any kind of commentary about war profiteering or weapons manufacturing. It pays lip service to the idea of Downey rushing off to save people… but he only gets around to it once. (Hey, it’s kind of like Rambo… except Stallone doesn’t wimp out of showing suffering).

Basically, it’s all about enjoying Downey’s performance and the Iron Man sequences. Downey’s got a gift for comedy and, even though Favreau can’t frame a comedy shot, he does get the tone right. Favreau’s best part is actually the Afghanistan sequence, which seems like it goes on too long, but then when he can never match it, it’s clear it was too short. Shaun Toub makes an impossible character work really well in that sequence.

The movie’s also something of a narrative mess, with the ending more appropriate for a less serious film. The end’s supposed to be goofy and fun, which Downey can do, but the movie doesn’t set itself up for that kind of conclusion. (I won’t mention the asinine post-credit “teaser,” which is embarrassing).

The special effects are mostly good. There’s some really bad CG and a few of the flying sequences are boring, but they’re solid. Favreau tends to get way too excited during action scenes and shoot in close-up (for budget reasons?) and it’s hard to tell what’s going on. He lifts some of the action directly from Robocop and Robocop 2, but it looks good and no one’s ever going to accuse Favreau of originality or innovation, so it’s harmless.

There are some major hiccups–the movie is occasionally way too long, like when Paltrow is off in the poorly directed industrial thriller with Bridges, or Ramin Djawadi’s warm to frozen score or Leslie Bibb’s terrible performance. She’s supposed to be playing a Vanity Fair reporter, but she doesn’t even seem suited for Soap Opera Digest. And Favreau’s filling the movie with cameos–including himself–kind of make it seem like Casino Royale, not a real movie.

But for what it is–a timid but reasonably self-aware attempt at a “real” superhero movie–it’s decent, even if Favreau’s lack of a visual tone for the movie is somewhat alarming. Mostly, it’s just really nice Downey will have some career security for a bit.

CREDITS

Directed by Jon Favreau; written by Mark Fergus, Hawk Ostby, Art Marcum and Matt Holloway based on the Marvel Comics character created by Stan Lee, Larry Lieber, Don Heck and Jack Kirby; director of photography, Matthew Libatique; edited by Dan Lebental; music by Ramin Djawadi; production designer, J. Michael Riva; produced by Avi Arad and Kevin Feige; released by Paramount Pictures.

Starring Robert Downey Jr. (Tony Stark), Terrence Howard (Jim Rhodes), Jeff Bridges (Obadiah Stane), Gwyneth Paltrow (Pepper Potts), Leslie Bibb (Christine Everhart), Shaun Toub (Yinsen), Faran Tahir (Raza), Sayed Badreya (Abu Bakaar) and Clark Gregg (Agent Phil Coulson).


Related posts:

  • The Avengers (2012, Joss Whedon)
  • Cowboys & Aliens (2011, Jon Favreau), the extended version
  • The Incredible Hulk (2008, Louis Leterrier), the extended version
  • Fantastic Four: Rise of the Silver Surfer (2007, Tim Story)
  • A Funny Thing Happened on the Way to Thor's Hammer (2011, Leythum)
  • Iron Man series: