Thor has two problems to overcome. Director Branagh is successful at one of them. The first problem is half the film takes place in mythological Asgard, which is an ancient place, but very modern with all the latest streamlined architecture—think if Art Deco molded with neon, some magical stuff and then inexplicable horse-based transit. For a superhero movie, it asks a lot. One has to believe it. Branagh makes it work.
The second problem is less severe and, by the time it becomes clear, it’s sort of a non-issue. The New Mexico setting for the “on Earth” sequences is boring. There’s this fantastic ten foot tall metal monster thing and it all looks great, but it’s destroying a tiny desert town. It’d be a lot more fun to watch it destroy something bigger. But, by this time, the romance between Chris Hemsworth and Natalie Portman is going and the movie’s coasting. Plus, the exit from New Mexico’s a nice sequence.
The script’s assured, but again, the acting helps. Tom Hiddleston walks off with the movie as Hemsworth’s brother and antagonist. Idris Elba and Jaimie Alexander are also strong. Anthony Hopkins is fine (one wonders how much they spent making him look so young at times). Hemsworth is ideal in the lead. Portman is just doing the smart girlfriend role—and she has some problems—but she’s good overall.
Great score from Patrick Doyle. Nice composition from Branagh.
Thor’s a lot of fun; it escapes its inherent goofiness.
Directed by Kenneth Branagh; screenplay by Ashley Miller, Zack Stentz and Don Payne, based on a story by J. Michael Straczynski and Mark Protosevich and the Marvel Comics characters created by Stan Lee, Larry Lieber and Jack Kirby; director of photography, Haris Zambarloukos; edited by Paul Rubell; music by Patrick Doyle; production designer, Bo Welch; produced by Kevin Feige; released by Paramount Pictures.
Starring Chris Hemsworth (Thor), Natalie Portman (Jane Foster), Tom Hiddleston (Loki), Stellan Skarsgard (Dr. Erik Selvig), Kat Dennings (Darcy), Idris Elba (Heimdall), Colm Feore (King Laufey), Jaimie Alexander (Sif), Joshua Dallas (Fandral), Tadanobu Asano (Hogun), Ray Stevenson (Volstagg), Rene Russo (Frigga), Clark Gregg (Agent Coulson) and Anthony Hopkins (Odin).
Posted in 2011, Action, Adventure, ★★, Color, Drama, English, Fantasy, Paramount Pictures, USA
Tagged Anthony Hopkins, Ashley Miller, Bo Welch, Chris Hemsworth, Clark Gregg, Colm Feore, Don Payne, Haris Zambarloukos, Idris Elba, J. Michael Straczynski, Jack Kirby, Jaimie Alexander, Joshua Dallas, Kat Dennings, Kenneth Branagh, Kevin Feige, Larry Lieber, Mark Protosevich, Natalie Portman, Patrick Doyle, Paul Rubell, Ray Stevenson, Rene Russo, Stan Lee, Stellan Skarsgård, Tadanobu Asano, Tom Hiddleston, Zack Stentz
I don’t get it. I mean, I kind of get it–the movie’s cute and funny–but I don’t really get it. Not the critical acclaim. I think it’s actually my first Judd Apatow movie–I don’t remember Celtic Pride though I know I saw it–and I’m disappointed. It’s like a sitcom. Apatow directs it like a lot of unimaginative sitcoms are directed. It looks like an episode of “Joey.” A bad episode of “Joey.”
But the script’s not particularly strong either. It’s really heavy on sentiment and it’s version of gross-out humor (gross-out but heartwarming, something Something About Mary did seven years earlier and more successfully), but it’s not at all heavy on creating realistic characters. I don’t believe in The 40 Year Old Virgin. I believe in them, in their existence, I might even believe Steve Carell’s character is one… but I don’t believe he’s a real person. The film goes through lengths to seem “real,” from the eBay store to the lame jobs, but it’s very… sitcom-like. A lot of that fault is Apatow’s direction, but the script isn’t helpful. The characters aren’t real. I don’t believe Paul Rudd has a close friend who’s been to prison twice.
I am also iffy on Carell as a movie star. He was so successful in this one, he turned it into his character for “The Office.” Laughable but sympathetic.
Some of it might have to do with the joylessness of it all. It felt mechanical.
Directed by Judd Apatow; written by Apatow and Steve Carell; director of photography, Jack N. Green; edited by Brent White; music by Lyle Workman; production designer, Jackson De Govia; produced by Apatow, Clayton Townsend and Shauna Robertson; released by Universal Pictures.
Starring Steve Carell (Andy Stitzer), Catherine Keener (Trish), Paul Rudd (David), Romany Malco (Jay), Seth Rogen (Cal), Elizabeth Banks (Beth), Leslie Mann (Nicky), Jane Lynch (Paula), Gerry Bednob (Mooj), Shelley Malil (Haziz), Kat Dennings (Marla), Jordy Masterson (Mark), Chelsea Smith (Julia) and Jonah Hill (eBay Customer).
Posted in 2005, ★★, Color, Comedy, English, Romance, Spanish, Universal Pictures, USA
Tagged Brent White, Catherine Keener, Chelsea Smith, Clayton Townsend, Elizabeth Banks, Gerry Bednob, Jack N. Green, Jackson De Govia, Jane Lynch, Jonah Hill, Jordy Masterson, Judd Apatow, Kat Dennings, Leslie Mann, Lyle Workman, Paul Rudd, Romany Malco, Seth Rogen, Shauna Robertson, Shelley Malil, Steve Carell