Tag Archives: James P. Burtis

The Mystery Man (1935, Ray McCarey)

I hope Robert Armstrong got paid well for The Mystery Man, because it doesn’t do him any other good. While it’s nice to see Armstrong in a lead role, the film’s so incompetently produced, it’s sometimes painful. Armstrong acts well but director McCarey doesn’t know how to compose shots. You’ll get what should be a close-up as a medium shot. Of course, the script’s bad too so Armstrong’s working against it too.

The plot isn’t terrible—Armstrong’s a newspaper reporter with more ego than sense who finds himself broke after a week-long bender. He meets Maxine Doyle, who’s in similar financial straits. The problem with the film is mostly Doyle. If she were any good, the film might be charming, regardless of technical merits and writing. But she’s awful—just painfully bad.

But so’s the rest of the supporting cast. Armstrong’s sidekicks, played by James P. Burtis, Monte Collins and Sam Lufkin, all awful. His bosses—Henry Kolker and James Burke—awful. Guy Usher turns in the closest thing to a decent performance, but he’s not good by any stretch.

Meanwhile, there’s Armstrong moving through these inept actors, trying to do what he can with the bad dialogue, on the incredibly cheap sets (the hotel suite appears to be the newspaper editor’s office too, based on the wall design)… and he maintains some dignity.

The concept isn’t bad; it could have been a good leading man vehicle for Armstrong… instead of an unfortunate, disappointing entry in his filmography.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Ray McCarey; screenplay by John W. Krafft and Rollo Lloyd, based on a story by Tate Finn and an adaptation by William A. Johnston; director of photography, Harry Neumann; edited by Carl Pierson; released by Monogram Pictures.

Starring Robert Armstrong (Larry Doyle), Maxine Doyle (Anne Ogilvie), Henry Kolker (Jo-Jo), LeRoy Mason (The Eel), James Burke (Managing Editor Marvin), Guy Usher (District Attorney Johnson), James P. Burtis (Whalen), Monte Collins (Dunn), Sam Lufkin (Weeks), Otto Fries (Nate), Norman Houston (T. Fulton Whistler), Dell Henderson (Mr. Clark), Lee Shumway (Plainclothes Man) and Sam Flint (Jerome Roberts).


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Murder at Glen Athol (1936, Frank R. Strayer)

Murder at Glen Athol should be just a little bit better. The script has a number of twists, with Strayer handling them ably, but it’s just too short as it turns out. The film runs under seventy minutes, which would be fine for a B mystery, but Glen Athol (the title is problematic–Glen Athol is never said in the film) has a lot more going on.

First, just because it opens the film, there’s detective John Miljan and his sidekick, James P. Burtis. Miljan’s a debonair detective of the Nick Charles variety and Burtis is a rough and tumble ex-prizefighter. There’s some really funny bickering between them at the beginning and some throughout the film (Burtis’s performance isn’t quite good enough to make it work as well as it should), but once Irene Ware shows up as Miljan’s love interest… her effect on the hetero life mates isn’t really explored.

Second, the murder investigation reveals a complicated situation of blackmail and cover-up. Since the murder occurs twenty plus minutes into the film, there’s not much time for Miljan to make discoveries. Instead he does it mostly in summary–he explains the entire solution without the audience having seen key features on screen.

Strayer keeps a tight pace, so I doubt he would have needed more than ten more minutes to fill the story out.

Still, it’s a decent mystery; Miljan turns in a great performance.

Speaking of Strayer, he does wonders with a visibly tiny budgeted production.

1/4

CREDITS

Directed by Frank R. Strayer; screenplay and adaptation by John W. Krafft, based on the novel by Norman Lippincott; director of photography, M.A. Anderson; edited by Roland D. Reed; produced by Maury M. Cohen; released by Chesterfield Motion Pictures Corporation.

Starring John Miljan (Bill Holt), Irene Ware (Jane Maxwell), Iris Adrian (Muriel Randel), Noel Madison (Gus Colleti), Oscar Apfel (Reuben Marshall), Barry Norton (Tom Randel), Harry Holman (Campbell Snowden), Betty Blythe (Ann Randel), James P. Burtis (Mike ‘Jeff’ Jefferies), Lew Kelly (Police Sgt. Olsen), Wilson Benge (Simpson) and E.H. Calvert (Dist. Atty. McDougal).


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