Tag Archives: Iseya Yûsuke

Blindness (2008, Fernando Meirelles)

Maybe there’s a longer version of Blindness where they explain what happens to all the cast members who fall away from the film. Or what happens to them while the film’s busy on other stuff—like Danny Glover, who disappears for a large portion of the film, only to return in an integral part at the end.

Poor Mpho Koaho ingloriously disappears after being in the film from the first few minutes. I guess it’s all right—Glover’s good, Koaho isn’t. The film, which is in an unnamed city (which looks suspiciously Canadian—it filmed in Toronto), has some vague bureaucracy at the beginning (again, it seems very Canadian) but it soon descends into a weak Lord of the Flies with the blind instead of stranded kids. Leader of the bad guys are Gael García Bernal and Maury Chaykin. All the other bad guys, we later learn, as Hispanic males. All the good guys (the men, at least)… white or black. I’m not sure if the filmmakers realized it.

Bernal is laughably bad. Chaykin is at least mildly competent.

The lead is ostensibly Julianne Moore, the only seeing person in the world of the blind. Screenwriter Don McKellar (seemingly intentionally) writes in caricatures and makes Moore’s character ludicrously passive.

Due to McKellar’s weak writing, second-billed Mark Ruffalo gives a mediocre performance. Alice Braga is okay; the best performance is easily Kimura Yoshino.

Meirelles’s direction is unimpressive and obvious, like the film itself….

It’s not terrible, just pointless and boring.

CREDITS

Directed by Fernando Meirelles; screenplay by Don McKellar, based on a novel by José Saramago; director of photography, César Charlone; edited by Daniel Rezende; music by Marco Antônio Guimarães; production designers, Matthew Davies and Tulé Peak; produced by Andrea Barata Ribeiro, Niv Fichman and Sonoko Sakai; released by Miramax Films.

Starring Julianne Moore (Doctor’s Wife), Mark Ruffalo (Doctor), Danny Glover (Man with Black Eye Patch), Gael García Bernal (King of Ward 3), Maury Chaykin (Accountant), Alice Braga (Woman with Dark Glasses), Mpho Koaho (Pharmacist’s Assistant), Iseya Yûsuke (First Blind Man), Kimura Yoshino (First Blind Man’s Wife), Mitchell Nye (Boy) and Don McKellar (Thief).


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Sukiyaki Western Django (2007, Miike Takashi)

This film reminds me of one of Quentin Tarantino’s Rolling Thunder Pictures presentations from the nineties. Sometimes they were good films. Sometimes Tarantino was just friends with the filmmakers.

He has a small role in Sukiyaki Western Django.

It’s a joke as a concept picture–what if you made a Western, set in Nevada, starring Japanese actors speaking English, some of them knowing how to speak it, some of them doing it phonetically, but played it straight. It’s not going for a funny script, it’s going for being funny through its absurdity, which makes it incredibly pointless, but probably very popular with people who dislike quality cinema and literature or like seeming contrarian on internet message boards.

There’s nothing to recommend it. Tarantino’s cameo’s awful. He’s getting to be a worse actor as he gets older.

Kurita Toyomichi’s photography is fantastic, but there’s only so much good lighting and good composition can do with a long, boring, lame joke.

It should be okay for Japanese filmmakers to make Westerns, set in Nevada, with Japanese actors playing Americans. Americans do it all the time. Or did it all the time (or made films with Chinese actors playing Japanese people). But Sukiyaki isn’t interested in presenting a real film. It mocks the idea of itself even having any quality.

Are there worse movies than Sukiyaki?

Yes.

Are there more useless movies, made with less artistic intent?

Maybe not.

But it has its fans, which means Tarantino needs to bring back Rolling Thunder.

CREDITS

Directed by Miike Takashi; written by Nakamura Masa and Miike; director of photography, Kurita Toyomichi; edited by Shimamura Yasushi; music by Endô Kôji; production designer, Sasaki Takashi; produced by Ôsaki Masato and Tohya Nobuyuki; released by Sony Pictures.

Starring Ito Hideaki (Gunman), Ando Masanobu (Yoichi), Satô Kôichi (Taira no Kiyomori), Momoi Kaori (Ruriko), Iseya Yûsuke (Minamoto no Yoshitsune), Ishibashi Renji (Village Mayor), Kimura Yoshino (Shizuka) and Quentin Tarantino (Piringo).


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