Given its $120 million price tag, one might think Prometheus would have a script above Internet fan fiction. It does not. Director Scott is more than happy to run with a dumb script–which often forgets subplots and story threads, not to mention is full of pointless action scenes. Prometheus tries very hard to be smart; it fails miserably. It’s also really boring for a two hour sci-fi action movie.
A lot of its stupidity is forgivable. What isn’t particularly forgivable is how Scott, after distancing the project from Alien in the press, has all sorts of eye roll inducing Alien references in it. He does have quite a few really smart 2001 homages, however. His mishandling of the film is bewildering.
For example, most of his casting is fantastic. Michael Fassbender is amazing as the android; he’s kind of bad (an unoriginal development), but still sympathetic. That sympathy’s partially due to his primary antagonist–one of the film’s protagonists, Logan Marshall-Green–giving a laughably atrocious performance. Marshall-Green’s is the only weak actor. Top-billed Noomi Rapace barely makes an impression thanks to Scott’s inexplicable emphasis on Marshall-Green.
In major supporting roles, Idris Elba and Charlize Theron are excellent. The rest of the large cast make little impression; Scott can’t handle them.
Dariusz Wolski’s photography is lovely, the special effects are great, Marc Streitenfeld’s music is solid.
Scott decided instead of shooting for a good Alien prequel, Prometheus should be pretentious and stupid. Bully for him.
Directed by Ridley Scott; written by Jon Spaihts and Damon Lindelof; director of photography, Dariusz Wolski; edited by Pietro Scalia; music by Marc Streitenfeld; production designer, Arthur Max; produced by David Giler, Walter Hill and Scott; released by 20th Century Fox.
Starring Noomi Rapace (Elizabeth Shaw), Michael Fassbender (David), Logan Marshall-Green (Charlie Holloway), Charlize Theron (Meredith Vickers), Idris Elba (Janek), Sean Harris (Fifield), Rafe Spall (Millburn), Emun Elliott (Chance), Benedict Wong (Ravel) and Guy Pearce (Peter Weyland).
- Loom (2012, Luke Scott)
- The Girl Who Kicked the Hornet's Nest (2009, Daniel Alfredson), the extended edition
- Bullet to the Head (2013, Walter Hill)
- Sherlock Holmes: A Game of Shadows (2011, Guy Ritchie)
- The Girl Who Played with Fire (2009, Daniel Alfredson), the extended edition
- Alien (1979, Ridley Scott)
- Aliens (1986, James Cameron), the special edition
- Alien³ (1992, David Fincher), the assembly cut
- Alien: Resurrection (1997, Jean-Pierre Jeunet), the special edition