Tag Archives: Harry Carey Jr.

Back to the Future Part III (1990, Robert Zemeckis)

Apparently, all Robert Zemeckis and Bob Gale needed for a Back to the Future sequel was a story. Part III, unlike the second installment, has a lot going on and it’s not all tied into the original’s storyline. Instead, Michael J. Fox finds himself in the Old West, trying to save Christopher Lloyd.

Zemeckis and Gale finally reward Lloyd for his time with a good part in this one. Fox’s story is boring–he’s up against Thomas F. Wilson again (Wilson is utterly fantastic)–but Lloyd’s romancing Mary Steenburgen while playing cowboy. There’s also a nice bit for Lloyd set after the first movie. This entry really makes it clear Zemeckis and Gale don’t know what works in these movies.

They include some more nonsense details, with Fox playing his ancestor. Lea Thompson shows up for a scene or two as Fox’s great-great-grandmother or something… it’s unclear if the filmmakers mean to imply the family tree has crossed branches. Probably not; Part III, until the awkward ending (it’s an ending to Part II, not this one), is rather genial.

The Dean Cundey photography is great and editors Harry Keramidas and Arthur Schmidt do excellent work, especially on the unbelievably tense finale. Unfortunately, Alan Silvestri’s score is either repetitive or weak. It’s a small quibble in an otherwise excellent production.

There are nice minor performances from Matt Clark and James Tolkan.

While it finishes the series, Part III does show what works in Future sequels–tight writing, inventive setting.

3/4★★★

CREDITS

Directed by Robert Zemeckis; screenplay by Bob Gale, based on a story by Zemeckis and Gale; director of photography, Dean Cundey; edited by Harry Keramidas and Arthur Schmidt; music by Alan Silvestri; production designer, Rick Carter; produced by Gale and Neil Canton; released by Universal Pictures.

Starring Michael J. Fox (Marty McFly / Seamus McFly), Christopher Lloyd (Dr. Emmett Brown), Mary Steenburgen (Clara Clayton), Thomas F. Wilson (Buford ‘Mad Dog’ Tannen / Biff Tannen), Lea Thompson (Maggie McFly / Lorraine McFly), Elisabeth Shue (Jennifer Parker), Matt Clark (Chester the Bartender), Richard Dysart (Barbwire Salesman), Pat Buttram (Saloon Old Timer), Harry Carey Jr. (Saloon Old Timer), Dub Taylor (Saloon Old Timer), James Tolkan (Marshal James Strickland), Marc McClure (Dave McFly), Wendie Jo Sperber (Linda McFly) and Jeffrey Weissman (George McFly).


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Gremlins (1984, Joe Dante)

Okay, I don’t get it. How did Zach Galligan not succeed as an actor? He’s not astoundingly good or anything, but he’s incredibly likable. From his filmography, it looks like he just disappeared… Anyway, I watched Gremlins because I haven’t seen it in ten years and, I don’t know, I thought Blockbuster was sending me the special edition (they didn’t).

What’s incredible about Gremlins is that it’s a special effects spectacular, back when they knew how to make them. I watched this film and constantly wondered how they did the models, the moving faces, the puppetry (I assume it was puppetry). That feeling is incredible today, because I never feel it anymore. At best, it’s something like Hellboy–watching the ‘making of’ documentary and being surprised they didn’t just use CG.

But Gremlins isn’t just odd because it’s visually interesting, it’s also interesting–and amusing–because they made it to amuse the audience. There is no reality in the storytelling–the Gremlins know pop culture references within an hour of birth–and once you let it go, Gremlins is amusing. A lot of it doesn’t work. For example, the connection between “gremlins” in machines to the Gremlins of the title, that’s all forced. It’s not funny enough either, though I saw the second one before the first, and I think they got that one right.

Oh, and I love how all the characters seem to meet just before the film begins. Presumably, since it’s a small town, everyone would know how Phoebe Cates’ dad died. No one does. It just doesn’t work that there’d be these young stars stuck there with no other young people around… the small size of the town really limited that aspect of the film’s “reality.” It gets the quotation marks because I’m not sure they cared about reality too much. You can’t force a purely amusing film–Gremlins writer Chris Columbus has been trying to do that again for twenty years–so it’s an admirable feat.

I’m trying to think if there’s anything I forgot… Hoyt Axton is really good… I think that’s it….

1.5/4★½

CREDITS

Directed by Joe Dante; written by Chris Columbus; director of photography, John Hora; edited by Tina Hirsch; music by Jerry Goldsmith; production designer, James H. Spencer; produced by Michael Finnell; released by Warner Bros.

Starring Zach Galligan (Billy), Phoebe Cates (Kate), Hoyt Axton (Rand Peltzer), Frances Lee McCain (Lynn Peltzer), Polly Holliday (Mrs. Deagle), Keye Luke (Grandfather), John Louie (Chinese Boy), Dick Miller (Mr. Futterman), Jackie Joseph (Mrs. Futterman), Scott Brady (Sheriff Frank), Harry Carey Jr. (Mr. Anderson), Corey Feldman (Pete), Glynn Turman (Roy Hanson) and Judge Reinhold (Gerald).


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