If it weren’t so predictable, The Greene Murder Case would be a little better. Not much better–part of the film’s charm is the obvious foreshadowing, since director Tuttle’s obviously on a limited budget and he couldn’t do much anyway.
There are no natural exteriors, which is fine; the one artificial exterior–Tuttle’s establishing shots tend to be of people in offices or rooms–is fantastic. The majority of the film takes place in a large house and the roof plays into the film for a few scenes. At first, it appears to be a model with special effects putting people on the roof. But then the people start interacting with the rest of the house. It’s unclear how they accomplished the effect, but it looks fantastic.
With these Philo Vance films, I’m always curious why William Powell gets top billing… he barely has a presence. Tuttle often shoots over his shoulder to the suspects even. He’s fine; Greene doesn’t ask a lot from him. Eugene Pallette’s mildly amusing as his sidekick. Pallette’s the comedy relief, but not over the top.
The suspects are also the potential victims in Greene. Jean Arthur is okay. Her role’s a little broad. The script really does none of the actors any favors but Ullrich Haupt is worth a mention. First, he’s terrible. Second, he’s supposed to be a devastatingly handsome stud but he’s this wormy German guy. It’s funny.
Greene isn’t not much of a mystery, but it’s not a bad seventy minutes.
Directed by Frank Tuttle; screenplay by Louise Long, adaptation and dialogue by Bartlett Cormack, based on the novel by S.S. Van Dine; director of photography, Henry W. Gerrard; edited by Verna Willis; music by Karl Hajos; produced by B.P. Schulberg; released by Paramount Pictures.
Starring William Powell (Philo Vance), Florence Eldridge (Sibella Greene), Ullrich Haupt (Dr. Arthur Von Blon), Jean Arthur (Ada Greene), Eugene Pallette (Sgt. Ernest Heath), E.H. Calvert (Dist. Atty. John F.X. Markham), Gertrude Norman (Mrs. Tobias Greene), Lowell Drew (Chester Greene), Morgan Farley (Rex Greene), Brandon Hurst (Sproot), Augusta Burmeister (Mrs. Gertrude Mannheim) and Marcia Harris (Hemming).
- The Ex-Mrs. Bradford (1936, Stephen Roberts)
- Thunderbolt (1929, Josef von Sternberg)
- The Senator Was Indiscreet (1947, George S. Kaufman)
- The Studio Murder Mystery (1932, Joseph Henabery)
- The Most Dangerous Game (1932, Ernest B. Schoedsack and Irving Pichel)