Tag Archives: David Niven

Murder by Death (1976, Robert Moore)

Writer Neil Simon did not adapt Murder by Death from one of his plays, which I’ve always assumed he did. While the film does have a more theatrical structure–a great deal of Death is the cast in one room–the action does follow the characters around and some of their experiences would be impossible without cinematic storytelling.

Simon’s structure for the film, which takes its time not just introducing the characters, but the mystery and all the elements involved, is brilliant. Death‘s a spoof and practically a spoof of a spoof, something Simon plays with in the dialogue. He’s very playful in the dialogue–there’s a great exchange with David Niven, Alec Guinness and Maggie Smith where Smith’s character gets tired of listening to Simon’s banter. And Simon discreetly gets it in. Death isn’t about misdirection, it’s about being so constantly funny the viewer can no longer anticipate gags.

Besides the actors–everyone is outstanding, with Eileen Brennan and James Coco probably being the best. James Cromwell is also really good as Coco’s sidekick. And Peter Sellers as the Charlie Chan stand-in can only get funnier with Peter Falk’s Sam Spade analogue harassing him. It’s hard to list all the funny moments because there are ninety-some minutes of them.

Moore’s direction is ideal. He doesn’t get in the way of the cast or the script. Great Dave Grusin music.

Death is utterly fantastic. It doesn’t even matter the film’s narrative doesn’t work. Simon’s a very funny guy.

CREDITS

Directed by Robert Moore; written by Neil Simon; director of photography, David M. Walsh; edited by John F. Burnett; music by Dave Grusin; production designer, Stephen B. Grimes; produced by Ray Stark; released by Columbia Pictures.

Starring Eileen Brennan (Tess Skeffington), Truman Capote (Lionel Twain), James Coco (Milo Perrier), Peter Falk (Sam Diamond), Alec Guinness (Bensonmum), Elsa Lanchester (Jessica Marbles), David Niven (Dick Charleston), Peter Sellers (Sidney Wang), Maggie Smith (Dora Charleston), Nancy Walker (Yetta, the cook), Estelle Winwood (Nurse Withers), James Cromwell (Marcel) and Richard Narita (Willie Wang).


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Bachelor Mother (1939, Garson Kanin)

I’ve seen Bachelor Mother at least twice before but didn’t remember the most salient feature of the film. I even forgot what a big part Donald Duck plays in it (though I did remember David Niven’s watching the clock to wait to say “good afternoon” as opposed to “good morning”).

No, what I forgot was the romance between Niven and Ginger Rogers. It’s the most important thing in Bachelor Mother. The baby Rogers gets stuck with through the bullheadedness and “altruism” of others is secondary.

It’s a lovely romance mostly because it’s so unexpected to the characters. Niven and Rogers are, at best, friends when they go out and discover their attraction. Their friendship scenes are also wonderful, as Niven tries to help Rogers raise this baby he’s unknowingly saddled her with.

He gets his comeuppance at the end (the third act is mostly about him identifying, avoiding, then wanting than comeuppance) and it’s just fantastic.

Kanin’s direction starts off incredible–the first shot is outstanding–then it runs into some problems as it becomes clear he didn’t have enough coverage for editors Henry Berman and Robert Wise (or they just did a terrible job of it). It eventually resolves itself, with the shots matching a lot better after about twenty minutes.

Rogers and Niven are both great, Charles Coburn is hilarious as Niven’s father and Frank Albertson is good.

The film has a brilliant narrative structure (the present action is a few days) and it moves fluidly.

Simply wonderful.

CREDITS

Directed by Garson Kanin; screenplay by Norman Krasna, based on a story by Felix Jackson; director of photography, Robert De Grasse; edited by Henry Berman and Robert Wise; music by Roy Webb; produced by Buddy G. DeSylva; released by RKO Radio Pictures.

Starring Ginger Rogers (Polly Parrish), David Niven (David Merlin), Charles Coburn (J.B. Merlin), Frank Albertson (Freddie Miller), E.E. Clive (Butler), Elbert Coplen Jr. (Johnnie), Ferike Boros (Mrs. Weiss), Ernest Truex (Investigator), Leonard Penn (Jerome Weiss), Paul Stanton (Hargraves), Frank M. Thomas (Doctor), Edna Holland (Matron), Dennie Moore (Mary), June Wilkins (Louise King) and Donald Duck (Himself).


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Death on the Nile (1978, John Guillermin)

I’d forgotten John Guillermin directed Death on the Nile. The opening credits, a static shot of the river, suggest a much different experience then the film delivers–between Guillermin directing, Jack Cardiff shooting it and Anthony Shaffer handling the adaptation. I suppose I should have remembered Shaffer also adapted Christie’s Evil Under the Sun to similar result.

Oh, and I haven’t even mentioned the wondrous Nino Rota score, which starts as the titles identify Guillermin as the director.

Unfortunately, Guillermin does very little with the direction here. I suppose he presents a fantastic travelogue of Egypt–how could he not with Cardiff photographing it–but, otherwise, the direction is little different than if he’d been shooting for television. In fact, Death on the Nile often reminded me (when inside) of a British television drama from the seventies.

But the point of these Poirot films isn’t necessarily the filmmaking or the writing, it’s the all star cast–it must be the cast, since relatively nothing happens for the first hour. And the cast is decent, but somewhat unspectacular, as the roles don’t give any actor much to do.

Mia Farrow is best, since her role gives her a lot of range, and Maggie Smith and Bette Davis are amusing as they bicker. But young lovers Jon Finch and Olivia Hussey? They’re genial, pointless additions.

Particularly–and sadly–useless is David Niven, who plays sidekick to Peter Ustinov’s tepid Poirot. Ustinov plays him here without flair, which is, like everything else, disappointing.

CREDITS

Directed by John Guillermin; screenplay by Anthony Shaffer, based on the novel by Agatha Christie; director of photography, Jack Cardiff; edited by Malcolm Cooke; music by Nino Rota; production designer, Peter Murton; produced by John Brabourne and Richard B. Goodwin; released by Paramount Pictures.

Starring Peter Ustinov (Hercule Poirot), Jane Birkin (Louise Bourget), Lois Chiles (Linnet Ridgeway), Bette Davis (Mrs. Van Schuyler), Mia Farrow (Jacqueline De Bellefort), Jon Finch (Mr. Ferguson), Olivia Hussey (Rosalie Otterbourne), I.S. Johar (Manager Of The Karnak), George Kennedy (Andrew Pennington), Angela Lansbury (Mrs. Salome Otterbourne), Simon MacCorkindale (Simon Doyle), David Niven (Colonel Race), Maggie Smith (Miss Bowers), Jack Warden (Dr. Bessner), Harry Andrews (Barnstaple) and Sam Wanamaker (Rockford).


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