Pinewood Studios has housed some rather impressive sets and some great films have been shot there. Reading At the Earth’s Core‘s end credits and seeing it too was shot at Pinewood… well, my respect for the studio has plummeted.
At the Earth’s Core is the second of four films directed by Kevin Connor, produced by John Dark, and starring Doug McClure (The Land That Time Forgot was the first). Taking the time period of Earth’s Core into account–Victorian England–McClure seems like a bad choice for the role, even if he is playing an American inventor. McClure spends twenty minutes in an ugly suit, then his clothes start to get torn off. He finds a new suit before the end of the film, however. But McClure isn’t the worst–which is a surprise, because he’s pretty bad–no, it’s Peter Cushing, playing the dotting inventory of a giant drill, meant to explore the interior of the planet. Cushing spends the whole film doing a dotting accent too, but it just sounds like he’s been sucking helium. These two don’t start all right and get bad, they’re terrible from the start. Still, since The Land That Time Forgot had a slow start, I stuck with Earth’s Core. Actually, I’ve been planning this festival for a while… but the film never gets bad. It’s terrible to be sure–particularly the effects, but more on those in a minute–but it never offends. It’s a strange kind of dumb.
The effects, however, are something else. At the Earth’s Core features such a collection of giant monsters, realized with such poor special effects, I can’t believe it hasn’t gotten cult status. The effects in this film are worse than those 1970s Godzilla films and those have some cult recognition. Connor, who was an interesting director on The Land That Time Forgot, is not on Earth’s Core. The entire film was shot indoors, so in addition to bad rear screen projection, Connor never opens up his shots. The whole film has a claustrophobia about it, to the point of causing discomfort.
The writing too (by Milton Subotsky) is pretty awful. It’s not just the bad pacing or the subterranean people who speak English, it’s also the lack of characterization. McClure’s character goes from being a rich failure to a heroic revolutionary, but the film doesn’t recognize a change in him is occurring.
The last shot is sort of amusing, however, and manages to leave the viewer feeling amused at him or herself for sitting through the film. So instead of the viewer laughing at the film, it laughs at the viewer.
Directed by Kevin Connor; screenplay by Milton Subotsky, based on the novel by Edgar Rice Burroughs; director of photography, Alan Hume; edited by Barry Peters and John Ireland; music by Michael Vickers; production designer, Maurice Carter; produced by John Dark, Max Rosenberg and Subotsky; released by American International Pictures.
Starring Doug McClure (David Innes), Peter Cushing (Dr. Abner Perry), Caroline Munro (Dia), Cy Grant (Ra), Godfrey James (Ghak), Sean Lynch (Hooja), Keith Barron (Dowsett), Helen Gill (Maisie), Anthony Verner (Gadsby), Robert Gillespie (Photographer), Michael Crane (Jubal), Bobby Parr (Sagoth Chief) and Andee Cromarty (Slave Girl).