Tag Archives: Craig Wedren

Wet Hot American Summer (2001, David Wain)

One of the best gags in Wet Hot American Summer is having the twenty and (some) thirty somethings play teenage summer camp counselors. One big problem? Not making the gag clear until the end of the movie. It would have gotten a lot more mileage throughout.

Summer goes out on an awkward note–almost an homage to “M*A*S*H”, which is cute (director Wain loves the eighties homages) but it can’t disguise the lack of an ending. There’s no great finish; instead, there’s a weak exit for erstwhile protagonist Michael Showalter. He’s not the most compelling part of the film, though he’s a fine enough (erstwhile) protagonist, and Wain needs a stronger closer.

Showalter’s story arc involves lusting after Marguerite Moreau and trying to win her from her dolt of a boyfriend (an awful Paul Rudd). It’s nothing compared to Ken Marino’s crazy wilderness trek to meet up with a girl or Janeane Garofalo and David Hyde Pierce saving the camp from a falling piece of Skylab.

Other great little arcs include Molly Shannon’s divorcée getting life coaching from her charges and a camper “running” a radio station.

Moreau is okay. She’s better without Showalter or Rudd. Garofalo and Hyde Pierce are both excellent. Their skill works a little against Summer‘s absurdist nature, however. It’s just not as funny when it’s so well-acted.

Marino’s great, so are Bradley Cooper and Amy Poehler. Christopher Meloni’s fantastic as the deranged cook.

Summer isn’t completely successful, but it’s close enough.

CREDITS

Directed by David Wain; written by Michael Showalter and Wain; director of photography, Ben Weinstein; edited by Meg Reticker; music by Theodore Shapiro and Craig Wedren; production designer, Mark White; produced by Howard Bernstein; released by USA Films.

Starring Janeane Garofalo (Beth), David Hyde Pierce (Henry Newman), Michael Showalter (Gerald ‘Coop’ Cooperberg), Marguerite Moreau (Katie), Michael Ian Black (McKinley), Zak Orth (J.J.), A.D. Miles (Gary), Paul Rudd (Andy), Christopher Meloni (Gene), Molly Shannon (Gail von Kleinenstein), Ken Marino (Victor Kulak), Joe Lo Truglio (Neil), Amy Poehler (Susie), Bradley Cooper (Ben), Gideon Jacobs (Aaron), Liam Norton (Arty ‘The Beekeeper’ Solomon), Marisa Ryan (Abby Bernstein), Elizabeth Banks (Lindsay), Gabriel Millman (Caped Boy), Kevin Sussman (Steve), Kevin Thomas Conroy (Mork Guy), Christopher Cusumano (Medieval Kid), Cassidy Ladden (Mallrat Girl), Madeline Blue (Cure Girl), Nina Hellman (Nancy), Peter Salett (Guitar Dude), Judah Friedlander (Ron von Kleinenstein), Jacob Shoesmith-Fox (Bert ‘Moose’ Flugelman) and Michael Showalter (Alan Shemper).


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Role Models (2008, David Wain), the unrated version

Role Models is shockingly good. It fuses the inappropriately blunt comedy genre with a listless thirties white men growing up genre. The result is a constantly funny film–I mean, it’s Seann William Scott swearing at kids… from the two minute mark–with a solid emotional core. And it’s never artificial.

Scott isn’t the lead (though he gets top billing), rather Paul Rudd. Rudd plays a miserable thirty-something, depressed over the lack of substance in his life (of course, he’s ignoring having a grown-up relationship with lawyer girlfriend Elizabeth Banks), who lands he and Scott in trouble.

Their punishment? A Big Brother program.

The film overcomes its occasional contrivances–besides Banks being a lawyer to represent Rudd and Scott, the midsection has a painful juxtaposition of both men realizing they aren’t being the best Big Brothers they could be. But Wain, whose strength as a director is making the absurdities wholly believable, keeps the sequence going until it works.

Scott is hilarious–he’s playing his American Pie role aged–but Rudd makes the film. He doesn’t worry about being appealing, since Scott fills that function, instead selling the character’s developing self-awareness.

As their charges, Christopher Mintz-Plasse and Bobb’e J. Thompson are both good. Mintz-Plasse probably gives a better performance, but Thompson is funnier.

Banks is solid too, grounding the film.

The supporting cast is excellent, Jane Lynch and Ken Marino in particular. Especially Lynch.

Role Models is earnest and thoughtful. It’s a fantastic grown-up comedy.

CREDITS

Directed by David Wain; screenplay by Paul Rudd, Wain, Ken Marino and Timothy Dowling, based on a story by Dowling and W. Blake Herron; director of photography, Russ T. Alsobrook; edited by Eric Kissack; music by Craig Wedren; production designer, Stephen J. Lineweaver; produced by Luke Greenfield, Mary Parent and Scott Stuber; released by Universal Pictures.

Starring Paul Rudd (Danny), Seann William Scott (Wheeler), Christopher Mintz-Plasse (Augie), Bobb’e J. Thompson (Ronnie), Jane Lynch (Sweeny), Elizabeth Banks (Beth), Ken Jeong (King Argotron), Joe Lo Truglio (Kuzzik), Ken Marino (Jim Stansel), Kerri Kenney (Lynette), A.D. Miles (Martin), Matt Walsh (Davith of Glencracken), Nicole Randall Johnson (Karen), Alexandra Stamler (Esplen), Carly Craig (Connie), Jessica Morris (Linda the Teacher) and Vincent Martella (Artonius).


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