Until The 'burbs gets around to actually having to pay off on its premise–the strange new neighbors are really serial killers–it’s quite good. There’s no way the third act pay off can deliver and the film’s quality takes a number of hits in the last half hour or so. Olsen’s script is, technically, at fault… but it’s hard to think of how the narrative could have unfolded and not had problems.
What the film does have, even with the last act problems, is some of Dante’s most enthusiastic work. The film’s perfectly casted–I counted three times the actors were trying not to laugh during a scene–and he gets these great performances. Olsen’s script sets up these fine characters, Dante and the cast are able to turn them into something even better… then the script abandons them. At one point, Carrie Fisher just disappears. Instead of figuring out how to incorporate her (or even just keep her around), Olsen sends her away. Coincidentally, Fisher disappears about the time the film hits the bumps.
Tom Hanks is very good in the lead. He manages not to get overshadowed by Bruce Dern and Rick Ducommun, who are a lot wackier. Wendy Schaal’s good as Dern’s wife (she too disappears though) and Brother Theodore is hilarious as one of the villains. Corey Feldman is a tad broad… and looks a little old for a teenager.
Amazing Jerry Goldsmith score.
With its marvelous Dante direction, The 'burbs is almost a success.
Directed by Joe Dante; written by Dana Olsen; director of photography, Robert M. Stevens; edited by Marshall Harvey; music by Jerry Goldsmith; production designer, James H. Spencer; produced by Larry Brezner and Michael Finnell; released by Universal Pictures.
Starring Tom Hanks (Ray Peterson), Bruce Dern (Lt. Mark Rumsfield), Carrie Fisher (Carol Peterson), Rick Ducommun (Art Weingartner), Corey Feldman (Ricky Butler), Wendy Schaal (Bonnie Rumsfield), Henry Gibson (Dr. Werner Klopek), Brother Theodore (Uncle Reuben Klopek), Courtney Gains (Hans Klopek) and Gale Gordon (Walter Seznick).
Posted in 1989, Color, Comedy, English, Horror, Thriller, Universal Pictures, USA
Tagged Brother Theodore, Bruce Dern, Carrie Fisher, Corey Feldman, Courtney Gains, Dana Olsen, Gale Gordon, Henry Gibson, James H. Spencer, Jerry Goldsmith, Joe Dante, Larry Brezner, Marshall Harvey, Michael Finnell, Rick Ducommun, Robert M. Stevens, Tom Hanks, Wendy Schaal
Memphis Belle runs just around an hour and fifty minutes. It takes the film about a half hour before it’s even clear the titular plane is going to have a mission in the narrative. It opens with a masterful introduction to the characters and the situation (a bomber has one more mission before the crew completes their tour of duty). There are a lot of problems with Monte Merrick’s script, but his framing is great. He has the PR officer (played by John Lithgow) introduce everyone; it works beautifully in the narrative.
Caton-Jones’s composition is fantastic from the first shot. Too bad Merrick’s writing falls apart. First, it’s little things, like D.B. Sweeney—the only character to openly scared—having some lame dialogue. It’s not too damaging… but then Eric Stoltz’s part gets bigger. And Stoltz is truly awful. With so many principals, Merrick’s already resorting to caricature. He proceeds to give Stoltz, who’s laughable, too much attention.
But Merrick and Caton-Jones also awkwardly make the captain useless. Matthew Modine has the less to do than any other actor, including David Strathairn as the base commander. At least Strathairn has some real dialogue. Modine just gets to look scared.
There are some great performances though. Billy Zane gives the film’s best performance, but Reed Diamond and Tate Donovan are excellent as well.
The special effects are good. George Fenton’s music is lame. The sound design is great.
While it’s not terrible, it’s too bad Memphis Belle isn’t good.
Directed by Michael Caton-Jones; written by Monte Merrick; director of photography, David Watkin; edited by Jim Clark; music by George Fenton; production designer, Stuart Craig; produced by David Puttnam and Catherine Wyler; released by Warner Bros.
Starring Matthew Modine (Capt. Dennis Dearborn), Eric Stoltz (Sgt. Danny Daly), Tate Donovan (1st Lt. Luke Sinclair), D.B. Sweeney (Lt. Phil Lowenthal), Billy Zane (Lt. Val Kozlowski), Sean Astin (Sgt. Richard Moore), Harry Connick Jr. (Sgt. Clay Busby), Reed Diamond (Sgt. Virgil Hoogesteger), Courtney Gains (Sgt. Eugene McVey), Neil Giuntoli (Sgt. Jack Bocci), David Strathairn (Col. Craig Harriman) and John Lithgow (Lt.Col. Bruce Derringer).
Posted in 1990, Action, Black and White, Color, Drama, English, Japan, UK, USA, War, Warner Bros.
Tagged Billy Zane, Catherine Wyler, Courtney Gains, D.B. Sweeney, David Puttnam, David Strathairn, David Watkin, Eric Stoltz, George Fenton, Harry Connick Jr., Jim Clark, John Lithgow, Matthew Modine, Michael Caton-Jones, Monte Merrick, Neil Giuntoli, Reed Diamond, Sean Astin, Stuart Craig, Tate Donovan