F/X2 is very affable. It’s so affable, it encourages one to overlook its major shortcomings. First off, it’s a PG sequel to an R-rated original, which cuts down on the grit (though rated PG-13, the rating’s needlessly inflated with minor nudity). Second, it’s got Toronto standing in for New York. There’s some New York location shooting… but it’s not enough. The production simply doesn’t have any personality.
Of course, neither of those problems is really damning, if the script were good. Bill Condon’s script isn’t terrible–though it seems like it must not have been much work, more of an outline really, since the entire film depends solely on Bryan Brown and Brian Dennehy. They’re playing PG versions of themselves from the first film, which is problematic, but they’re so likable, who cares?
Most of the rest of the film is the special effects. Except they’re not particularly believable or thoughtful–it’s like an episode of “MacGyver.”
I’ve only seen the film once before–at most twice and long ago–but I remembered two of the three twists. In fact, I think this film has conditioned me to be wary of Philip Bosco, never believing he isn’t secretly a villain.
The supporting cast is mostly wasted–Rachel Ticotin and Joanna Gleason barely get any screen time as the new love interests. And then Kevin J. O’Connor shows up to annoy.
Franklin’s direction is pretty good, somewhat hampered by Toronto.
But Brown and Dennehy are so affable, who cares?
Directed by Richard Franklin; screenplay by Bill Condon, based on characters created by Robert T. Megginson and Gregory Fleeman; director of photography, Victor J. Kemper; edited by Andrew London; music by Lalo Schifrin; production designer, John Jay Moore; produced by Dodi Fayed and Jack Wiener; released by Orion Pictures.
Starring Bryan Brown (Rollie Tyler), Brian Dennehy (Leo McCarthy), Rachel Ticotin (Kim Brandon), Joanna Gleason (Liz Kennedy), Philip Bosco (Lt. Ray Silak), Kevin J. O’Connor (Matt Neely), Tom Mason (Mike Brandon), Dominic Zamprogna (Chris Brandon), Jossie DeGuzman (Marisa Velez) and John Walsh (Rado).
- The Eagle Has Landed (1976, John Sturges), the extended version
- The Master (2012, Paul Thomas Anderson)
- Foul Play (1978, Colin Higgins)
- Crimes and Misdemeanors (1989, Woody Allen)
- Blame It on the Bellboy (1992, Mark Herman)