Is calling a redneck hateful redundant? All other problems (acting, script), the biggest problem with King Kong Lives is how unpleasant the film is to watch. With the exception of the good guys (there are three of them), everyone else is a really bad person… it’s incredibly simplistic in its portrayal of cruelty (I doubt the filmmakers even realized it), which makes it a rough viewing.
Getting past a sequel to King Kong being pointless, one has to wonder how a presumably savvy producer like Dino De Laurenttis, who made lots of populist movie hits, ended up setting the film in rural Georgia. Sure, miniatures look all right, but it’s… it’s a terribly stupid idea.
But, is it more stupid than Kong surviving a fall off the World Trade Center with nothing more than a bad heart? Maybe… maybe not.
The acting, both good guys and bad, is often terrible. John Ashton as the army colonel after Kong (the U.S. Army is portrayed as a gang of ignorant, vicious thugs here) is awful. Peter Michael Goetz is lousy as an evil academic. Linda Hamilton is terrible (though she gets better halfway through the film) as Kong’s doctor.
Pretty much, only Brian Kerwin is any good. The guy’s on a soap now, apparently. He deserves far better. He actually makes the frequently absurd dialogue acceptable.
Guillermin’s direction is more than capable here.
Between his composition and Peter Scott’s excellent score, King Kong Lives occasionally (in fifteen second increments) seems all right.
Directed by John Guillermin; screenplay by Steven Pressfield and Ronald Shusett, based on their story and a character created by Merian C. Cooper and Edgar Wallace; director of photography, Alec Mills; edited by Malcolm Cooke; music by John Scott; production designer, Peter Murton; produced by Martha De Laurentiis; released by De Laurentiis Entertainment Group.
Starring Brian Kerwin (Hank Mitchell), Linda Hamilton (Amy Franklin), John Ashton (Lt. Col. R.T. Nevitt), Peter Michael Goetz (Dr. Andrew Ingersoll), Frank Maraden (Dr. Benson Hughes) and Jimmie Ray Weeks (Major Peete).
- Death on the Nile (1978, John Guillermin)
- Breaking Away (1979, Peter Yates)
- Supergirl (1984, Jeannot Szwarc), the director's cut
- Alien (1979, Ridley Scott)
- Total Recall (1990, Paul Verhoeven)