Sector 7 is about twenty-two years late. It’s another “Alien with sea monsters;” 1989 had two and a half major entries in that genre. It does, however, add one interesting element.
Wait, I guess it’s more Aliens with sea monsters. The female lead, Ha Ji-won, is more Ripley in tough mode. Anyway, the interesting element is her love interest, Oh Ji-ho. He’s a standard action movie leading man. So Sector 7 has a couple of romantically involved action heroes. Sadly, Nick and Nora they are not.
The big problem with Sector 7, besides its nine or ten false endings, is cinematographer Lee Doo-man. It was also released in 3D, which must have been hideous, because Lee can’t match any of the CG backdrops with his lighting. Most of the time, he shoots dark (presumably to be cost effective with rendering the sea monster), but the bright daytime scenes are horrific.
Kim’s a fairly ambitious director when it comes to his composition and action. He’s lousy with actors, but it only really matters with Ha; she’s terrible. The rest of the cast carries through pretty well.
Oh is good, as is Ahn Seong-gi. Park Cheol-min and Song Sae-byeok are great as the surprisingly touching comic relief team.
The film shifts from being a gender workplace inequalities picture to a pro-oil drilling picture to a monster movie and, finally, to a political picture.
Plot confusion, Ha’s acting and Lee’s photography aside, it’s not awful.
Directed by Kim Ji-hun; written and produced by Yun Je-gyun; director of photography, Lee Doo-man; released by CJ Entertainment.
Starring Ha Ji-won (Cha Hae-joon), Ahn Sung-kee (Lee Jeong-man), Oh Ji-ho (Kim Dong-soo), Park Cheol-min (Do Sang-goo), Song Sae-byeok (Go Jong-yoon), Park Jeong-hak (Hwang In-hyeok), Lee Han-wi (Jang Moon-hyeong), Park Yeong-soo (Jang Chi-soon), Cha Ye-ryeon (Park Hyeon-jeong) and Min Seok (Yoon Hyeon-woo).