North by Northwest seems a little like a Technicolor version of an early Hollywood Hitchcock–the regular man combating the bad guys against incredible odds (at an American monument no less), but it’s a lot more.
The film’s a tightly constructed proto-blockbuster; there’s not a bad frame in the film, not an imperfect scene. North moves steadily, its speed sometimes increasing and rarely decreasing. With that barreling pace, it always seemed to be just over ninety minutes. I was shocked to discover it runs over two hours.
It’s hard to imagine the film without Cary Grant, whose comic timing is essential to the picture. There’s one scene where Grant looks at the camera just for a moment and it feels like a throwback to Bringing Up Baby. Hitchcock and writer Ernest Lehman waste no time establishing Grant’s character (beyond a memorable name). The rest, done with Grant and his secretary talking, takes one short scene.
Speaking of Lehman’s script, he gets in a lot of great jokes. Hitchcock just works them into the narrative; its all so grandiose (even before the finish), there’s more than enough room for them.
The filmmakers get away with so much, for instance, one can’t even hold Jessie Royce Landis’s disappearance against them.
She, James Mason, Martin Landau and Eva Marie Saint, they’re all outstanding. It’s Cary Grant’s film, of course, but the supporting cast–can’t forget Leo G. Carroll (who’s dryly hilarious)–make it even better.
North by Northwest is a perfect film.
Produced and directed by Alfred Hitchcock; written by Ernest Lehman; director of photography, Robert Burks; edited by George Tomasini; music by Bernard Herrmann; production designer, Robert F. Boyle; released by Metro-Goldwyn-Mayer.
Starring Cary Grant (Roger O. Thornhill), Eva Marie Saint (Eve Kendall), James Mason (Phillip Vandamm), Jessie Royce Landis (Clara Thornhill), Leo G. Carroll (The Professor), Josephine Hutchinson (Mrs. Townsend), Philip Ober (Lester Townsend), Martin Landau (Leonard), Adam Williams (Valerian), Edward Platt (Victor Larrabee), Robert Ellenstein (Licht) and John Beradino (Sergeant Emile Klinger).