Whipsaw takes some detours, but eventually reveals itself as an unlikely road picture… albeit one with limited stops.
The first few scenes are in London, with a lot of exposition introducing Myrna Loy and Harvey Stephens as jewel thieves. There are some other jewel thieves who want in on their score. At this point, Whipsaw seems like it’s going to take place entirely at sea.
But then it skips to New York, three weeks later, with both the cops and the rival crooks staking out Loy in hopes of finding Stephens.
At this point, there are about eight characters to remember–all of whom might end up being significant to the plot.
Then Spencer Tracy shows up as an undercover cop. Even after he does, it still takes Whipsaw another twenty minutes to finally define itself. While Howard Emmett Rogers’s script is messy and often meanders, there’s a lot of enthusiasm to it. The structure’s odd, since Tracy’s deceiving Loy, who he assumes is deceiving him; it doesn’t work for the first act, but once the couple is on the road… Whipsaw gets good.
Loy and Tracy are both fantastic. Their characters have to respect the other’s intellect, try to outsmart the other one and constantly lie. It creates a lot of personal conflict, which the actors essay beautifully.
Wood’s direction–aided by James Wong Howe’s wondrous photography–has some sublime moments but not enough. Basil Wrangell’s editing is weak.
The earnest ending misfires. Loy and Tracy weather it ably.
Directed by Sam Wood; screenplay by Howard Emmett Rogers, based on a story by James Edward Grant; director of photography, James Wong Howe; edited by Basil Wrangell; music by William Axt; produced by Wood and Harry Rapf; released by Metro-Goldwyn-Mayer.
Starring Myrna Loy (Vivian Palmer), Spencer Tracy (Ross McBride), Harvey Stephens (Ed Dexter), William Harrigan (‘Doc’ Evans), Clay Clement (Harry Ames), Robert Gleckler (Steve Arnold), Robert Warwick (Robert W. Wadsworth), Georges Renavent (Monetta), Paul Stanton (Justice Department Chief Hughes), Wade Boteler (Detective Humphries), Don Rowan (Curley), John Qualen (Will Dabson), Irene Franklin (Madame Marie), Lillian Leighton (Aunt Jane), J. Anthony Hughes (Justice Department Agent Bailey), William Ingersoll (Dr. Williams) and Charles Irwin (Larry King).