The Mummy’s Ghost is, with a couple problems, really good for a monster movie (and leagues ahead of Universal’s other 1940s Mummy features). It’s not so much about the Mummy as the victims and the investigation (but the police investigation, not the scientific–and everyone believes in mummies walking around animate, so there’s no convincing to be done).
But it’s a little more than just the approach to the plot, it’s the whole script. The film opens with a great recap of the previous two, with a split expository scene, starting with villain John Carradine (oh, I forgot, John Carradine plays an Arab here) learning about it then splitting to a college lecture for the second half of the story. It’s a neat narrative shift, bringing the entire cast into the film while still doing the recap.
But Carradine isn’t even a major character. He’s important at the end for a scene or two, but mostly the film focuses on Robert Lowery, a college student whose girlfriend (Ramsay Ames) is taking the Mummy’s return poorly, and Harry Shannon’s sheriff, who knows what he’s pursuing but doesn’t know how to do it.
Shannon’s maybe not leading man quality, but he’s fine. Lowery’s good. Ames is all right too, with her terror coming through rather well.
Le Borg’s a somewhat poor director (the Mummy close-ups are staged terribly), but William A. Sickner’s photography–especially the day for night work–is exquisite.
It’s a real downer too, which is just wonderful.
Directed by Reginald Le Borg; screenplay by Griffin Jay, Henry Sucher and Brenda Weisberg, based on a story by Jay and Sucher; director of photography, William A. Sickner; edited by Saul A. Goodkind; music by Frank Skinner; released by Universal Pictures.
Starring John Carradine (Yousef Bey), Robert Lowery (Tom Hervey), Ramsay Ames (Amina Mansouri), Barton MacLane (Inspector Walgreen), George Zucco (Andoheb, High Priest of Arkan), Frank Reicher (Prof. Matthew Norman), Harry Shannon (Sheriff Elwood), Emmett Vogan (Coroner), Lester Sharpe (Dr. Ayad, Scripps Museum), Claire Whitney (Mrs. Ella Norman) and Lon Chaney Jr. (Kharis).
- The Saint Strikes Back (1939, John Farrow)
- Calling Dr. Death (1943, Reginald Le Borg)
- Drums Along the Mohawk (1939, John Ford)
- Son of Dracula (1943, Robert Siodmak)
- Superman and the Mole-Men (1951, Lee Sholem)